SHIVAJI SAMBU WAGHRALKAR vs THE COMMISSIONER OF POLICE OFFICE OF COMMISSIONER OF POLICE AND ANR

Court
Bombay High Court
Case type
Writ Petition
Decided on
02-04-2026
<div> <b>2026:BHC-AS:15781</b><br /> -WP12910-2025.DOC<br /> IN THE HIGH COURT OF JUDICATURE AT BOMBAY<br /> <br /> CIVIL APPELLATE JURISDICTION<br /> WRIT PETITION NO. 12910 OF 2025<br /> Shivaji Sambu Waghralkar,<br /> Sole Proprietor of M/s Hausa Restaurant<br /> &amp; Bar, The Affaire, Shop Nos. 14, 15, 16 and 19,<br /> Plot No. 9, Sector-17, Sanpada,<br /> Navi Mumbai, District – Thane <br /> ...Petitioner<br /> Versus<br /> 1. The Commissioner of Police,<br /> Office of Commissioner of Police at <br /> ARUN<br /> RAMCHANDRA<br /> SANKPAL<br /> Sector 10, opposite RBI, CBD Belapur,<br /> Navi Mumbai, Maharashtra – 400 614.<br /> Digitally signed by<br /> ARUN RAMCHANDRA<br /> SANKPAL<br /> Date: 2026.04.02<br /> 22:48:57 +0530<br /> 2. Senior Police Inspector of Police,<br /> …Respondents<br /> Vashi Police Station<br /> Mr. Bernardo Reis, a/w Pratik Dixit, i/b Parampara Mistry, for the <br /> Petitioner. <br /> Mr. V. G. Badgujar, AGP for the State. <br /> CORAM : N. J. JAMADAR, J.<br /> th<br /> RESERVED ON : 06 JANUARY, 2026<br /> nd<br /> PRONOUNCED ON : 2 APRIL 2026<br /> JUDGMENT:-<br /> 1. Rule. Rule made returnable forthwith and, with the consent of<br /> the learned Counsel for the parties, heard finally.<br /> 2.<br /> By this petition under Articles 226 and 227 of the Constitution of<br /> th<br /> India the petitioner takes exception to the order dated 14 August,<br /> 2025 passed by the Divisional Commissioner, Konkan Division, in<br /> ARS 1/28<br /> <b><i>::: Uploaded on - 02/04/2026</i></b> <b><i>::: Downloaded on - 02/04/2026 22:57:44 :::</i></b><br /><br /> -WP12910-2025.DOC<br /> Entertainment License Appeal No.15/2025, whereby the said appeal<br /> <br /> th<br /> preferred by the petitioner against the order dated 24 February, 2025,<br /> passed by the Commissioner of Police, Navi Mumbai (R1) rejecting the<br /> application for an Entertainment License to operate the Orchestra at<br /> M/s. Hausa Restaurant and Bar, came to be dismissed. <br /> 3. The petitioner is the owner of M/s. Hausa Restaurant and Bar<br /> (the establishment) situated in a fully commercial building named “The<br /> Affaire”, located at Flat No.9, Sector 17, Sanpada, Navi Mumbai (the<br /> premises). To operate the said restaurant and bar at the said premises<br /> the petitioner has obtained an Eating House License issued by the<br /> Municipal Corporation and Foreign Liquor License-III (FL-III) under the<br /> Foreign Liquor Rules, 1953. The petitioner desired to have an Orchestra<br /> License for live music performances in the said establishment. The<br /> petitioner never intended to, nor intends to hold, “dance performances”<br /> in the said establishment. Thus, the petitioner filed an application for<br /> grant of a Live Music Orchestra performance license under the<br /> provisions of the the Maharashtra Police Act, 1951 (“the Police Act,<br /> 1951”) and the Rules for Licensing and Controlling Places of Public<br /> Amusement (other than Cinemas) and Performances (including Melas<br /> and Tamashas), 1999, (“the Public Amusement Rules, 1999”). All<br /> requisite compliances were made. No objection certificate was obtained<br /> from the concerned police station.<br /> ARS 2/28<br /> <b><i>::: Uploaded on - 02/04/2026</i></b> <b><i>::: Downloaded on - 02/04/2026 22:57:44 :::</i></b><br /><br /> -WP12910-2025.DOC<br /> 4. It is the grievance of the petitioner that, a misinformation<br /> <br /> campaign was started by persons having a vested interest. On the basis<br /> of the alleged objections received from 23 Co-operative Housing<br /> Societies, 232 citizens/local public representatives and one business<br /> association, and the media reports indicating opposition to the grant of<br /> performance license, respondent No.1, the petitioner asserts, refused<br /> the license to operate a live music Orchestra purportedly in exercise of<br /> powers under Rule 104 of the Public Amusement Rules, 1999. <br /> 5. Being aggrieved, the petitioner preferred an appeal before the<br /> Divisional Commissioner under Section 33 of the Police Act, 1951. <br /> 6. By the impugned order, the Divisional Commissioner rejected the<br /> appeal concurring with the view of respondent No.1 – the Licensing<br /> Authority. The petitioner claims that the Appellate Authority did not<br /> examine the matter at all and by a one line reasoning that the Licensing<br /> Authority rightly decided the application by assessing law and order<br /> situation, dismissed the appeal. <br /> 7. Being thus aggrieved, the petitioner has invoked the writ<br /> jurisdiction. A slew of exceptions are taken to the order of refusal of<br /> licence passed by the Licensing Authority, and the impugned order. <br /> 8. Firstly, the order of refusal of license passed by respondent No.1<br /> was arbitrary and beyond the scope of the provisions contained in Rule<br /> ARS 3/28<br /> <b><i>::: Uploaded on - 02/04/2026</i></b> <b><i>::: Downloaded on - 02/04/2026 22:57:44 :::</i></b><br /><br /> -WP12910-2025.DOC<br /> 104 of the Public Amusement Rules, 1999. Secondly, breach of<br /> <br /> principles of natural justice is alleged, as no opportunity of hearing was<br /> granted to the petitioner before passing the order, by the Licencing<br /> Authority. Thirdly, the impugned orders are in breach of the provisions<br /> contained in the Police Act and the Public Amusement Rules, 1999 and<br /> impinge upon the fundamental rights of the petitioner. Fourthly, the<br /> petitioner was subjected to invidious discrimination, as there are two<br /> bars in the very same building, which have been granted licence to play<br /> pre-recorded loud music. Lastly, the Licensing Authority has granted<br /> licenses to 53 other bars in Navi Mumbai area to operate Orchestra and<br /> live music performance. <br /> 9. An affidavit-in-reply has been filed on behalf of the respondents.<br /> The refusal to grant the license to operate a live orchestra is sought to<br /> be justified on the ground that the Licensing Authority, on the basis of<br /> objective material, has arrived at the conclusion that the grant of<br /> Orchestra Licence has the propensity to create a serious law and order<br /> situation. The fact that the petitioner holds an Eating House License and<br /> FL-III License at the said premises is stated to be wholly irrelevant for<br /> determining the prayer for grant of an Orchestra License. In substance,<br /> it is the contention of the respondents that in response to the public<br /> notice issued by the Licensing Authority several objections were<br /> received from Co-operative Housing Societies, citizens, local public<br /> ARS 4/28<br /> <b><i>::: Uploaded on - 02/04/2026</i></b> <b><i>::: Downloaded on - 02/04/2026 22:57:44 :::</i></b><br /><br /> -WP12910-2025.DOC<br /> representatives and business association. And, thus, the license was<br /> <br /> justifiably refused by respondent No.1. <br /> 10.<br /> I have heard Mr. Reis, the learned Counsel for the petitioner, and<br /> Mr. Badgujar, the learned AGP for the State, at some length. With the<br /> assistance of the learned Counsel for the parties, I have also perused the<br /> material on record including the documents filed alongwith the<br /> affidavit-in-reply on behalf of the respondents. <br /> 11. Mr. Reis, the learned Counsel for the petitioner, mounted a multi-<br /> fold challenge to the impugned orders. First and foremost, Mr. Reis<br /> would urge, the impugned order suffers from the vice of flagrant<br /> violation of the principles of natural justice. No opportunity of personal<br /> hearing was granted to the petitioner before the order of rejection of<br /> licence came to be passed. Secondly, the impugned order passed by the<br /> Divisional Commissioner, Mr. Reis would urge, singularly lacks reasons.<br /> The Divisional Commissioner has copiously extracted the contentions of<br /> the parties and the substance of the order passed by the Licensing<br /> Authority and, thereafter, simply observed that the Licensing Authority<br /> has rightly refused the licence apprehending law and order situation.<br /> The Divisional Commissioner has not at all examined the legality and<br /> correctness of the order passed by the Licensing Authority in the light of<br /> the grounds of challenge raised by the petitioner. <br /> ARS 5/28<br /> <b><i>::: Uploaded on - 02/04/2026</i></b> <b><i>::: Downloaded on - 02/04/2026 22:57:44 :::</i></b><br /><br /> -WP12910-2025.DOC<br /> 12. Thirdly, Mr. Reis would urge, the reasons for which the license<br /> <br /> has been refused do not fall within the ambit of any of the clauses of<br /> Rule 104 of the Public Amusement Rules, and thus, in the affidavit-in-<br /> reply an endeavour has been made on behalf of the respondents to<br /> support the refusal of license by pressing into service the grounds on<br /> which the licence was not refused by the Licensing Authority <br /> 13. Lastly, Mr. Reis strenuously submitted that, despite a categorical<br /> undertaking of the petitioner that the petitioner would not operate a<br /> dance bar, on the basis of a misinformation campaign, the petitioner’s<br /> fundamental rights have been trampled upon. Even in the matter of<br /> operation of the dance bars, the Supreme Court has castigated the<br /> instrumentalities of the State for imposing arbitrary, unreasonable and<br /> onerous conditions. To lend support to this submission, Mr. Reis placed<br /> reliance on a judgment of the Supreme Court in the case of Hotel Priya,<br /> 1<br /> A Proprietorship vs. State of Maharashtra and others . <br /> 14. Per contra, Mr. Badgujar, the learned AGP, supported the<br /> impugned orders, with tenacity. It was submitted that the grant of<br /> licence is in the discretion of the Licensing Authority. Since in response<br /> to the public notice, inviting the objections to the proposal to operate a<br /> live Orchestra in the petitioner’s premises, hundreds of objections were<br /> received, no fault can be found with the exercise of discretion by the<br /> <b>1</b><br /> 2022 SCC OnLine SC 204.<br /> ARS 6/28<br /> <b><i>::: Uploaded on - 02/04/2026</i></b> <b><i>::: Downloaded on - 02/04/2026 22:57:44 :::</i></b><br /><br /> -WP12910-2025.DOC<br /> Licensing Authority. The assessment of the Licensing Authority that the<br /> <br /> grant of license to operate a live orchestra may lead to a law and order<br /> situation is not open for interference in exercise of the supervisory<br /> jurisdiction as the Licensing Authority is best suited to assess the<br /> situation. <br /> 15. Mr. Badgujar further submitted that, the petition suffers from<br /> gross suppression of facts. It has transpired that there have been<br /> numerous complaints of violations of the terms of Orchestra License at<br /> Kalpana Restaurant, run by the petitioner at Vashi, and several reports<br /> of commission of cognizable and non-cognizable offences have been<br /> registered against the petitioner in connection therewith. On five<br /> occasions, the said license has been suspended. Thus, the petitioner<br /> who has resorted to gross suppression of facts does not deserve any<br /> relief, submitted Mr. Badgujar. <br /> 16. I have given anxious consideration to the submissions canvassed<br /> across the bar. The core controversy revolves around the justifiability of<br /> the refusal of license to operate live Orchestra. Before addressing the<br /> contentious issues, it may be apposite to have a resume of the statutory<br /> provisions and the rules which govern the grant or refusal of the<br /> licence. <br /> 17. Chapter IV of the Police Act, 1951 contains the provisions under<br /> the heading, “Police Regulations”. Under Section 33 of the Police Act,<br /> ARS 7/28<br /> <b><i>::: Uploaded on - 02/04/2026</i></b> <b><i>::: Downloaded on - 02/04/2026 22:57:44 :::</i></b><br /><br /> -WP12910-2025.DOC<br /> 1951, distinct authorities have been empowered to make rules for<br /> <br /> regulations of traffic and for preservation of order in public places, etc<br /> Clauses (w) and (wa) of sub-section (1) of Section 33 empower the<br /> Commissioner of police to make rules inter alia for licensing or<br /> controlling places of Public amusement or entertainment, prohibiting<br /> the keeping of places of public amusement or entertainment or<br /> assembly, in order to prevent obstruction, inconvenience, annoyance,<br /> risk, danger or damage to the residents or passengers in the vicinity and<br /> the Licensing or Controlling [in the interest of public order, decency or<br /> morality or in the interest of the general public], with such exceptions<br /> as may be specified, the musical, dancing, mimetic or the article or<br /> other performances for the public amusement, including melas and<br /> tamashas.<br /> 18. In exercise of the powers conferred under Section 33(1) of the<br /> Police Act, 1951, the Commissioner of Police, Navi Mumbai, has made<br /> Public Amusement Rules, 1999. A brief reference to the relevant Rules<br /> may be necessary. Under Rule 2(i); the ‘Premises’ and under Clause (j);<br /> “Public Amusement performance” are defined as under:<br /> “2(i) “Premises” means any place which is used or is intended to<br /> be used as a place or public amusement or any place other than<br /> cinema theatre wherein musical, dancing, dramatic, mimetics,<br /> theatrical or other performances of public amusement, exhibition<br /> or diversion or game are staged.<br /> ARS 8/28<br /> <b><i>::: Uploaded on - 02/04/2026</i></b> <b><i>::: Downloaded on - 02/04/2026 22:57:44 :::</i></b><br /><br /> -WP12910-2025.DOC<br /> 2(j) “Public Amusement Performance” means a performance of<br /> <br /> dramas, songs, dances, mimetics and similar other performances<br /> given in a place of public amusement or in any other place<br /> whether with or without admission fee and to which admission is<br /> not restricted exclusively to the members of any particular<br /> institution.”<br /> 19. Chapter II of the Public Amusement Rules, 1999 makes provision<br /> for issue of No Objection Certificate for the use of a premises as a place<br /> for public amusement. Under Rule 4, before grant of No Objection<br /> Certificate, the Licensing Authority is enjoined to notify the public of the<br /> intention of the prospective licence to put to use the given premises as a<br /> place of public amusement, for the purpose of inviting the objections.<br /> Under Rule 5, without prejudice to the authority of the Licensing<br /> Authority to refuse or grant licenses for premises and performances<br /> under rule 93 and 94 and 103 and 104, the Licensing Authority may<br /> grant No Objection Certificate at the site notified by the Applicant. <br /> 20.<br /> Under the scheme of the Public Amusement Rules, 1999, there is<br /> a necessity to have independent premises licence and performance<br /> licence. Chapter VIII of the Public Amusement Rules, 1999, subsumes<br /> provisions in relation to, “Premises Licence”. Chapter IX deals with<br /> “Performance Licence”. <br /> 21. Rule 91 proscribes the use of the premises as a place of public<br /> amusement unless the persons being the owner or occupant thereof<br /> shall have obtained a premises licence therefor. Under Rule 94, the<br /> ARS 9/28<br /> <b><i>::: Uploaded on - 02/04/2026</i></b> <b><i>::: Downloaded on - 02/04/2026 22:57:44 :::</i></b><br /><br /> -WP12910-2025.DOC<br /> Licensing Authority may refuse a premises licence, if appears to it, that<br /> <br /> the premises is likely to cause obstruction, inconvenience, risk or danger<br /> to residents or passers by in the vicinity of the premises. <br /> 22. Likewise, Rule 100 proscribes performances sans licence. It<br /> provides no person shall hold a musical, dancing, dramatic, minetic,<br /> theatrical or other performance; for public amusement including Melas<br /> and Tamashas or any public exhibition or diversion or game by<br /> whatever name called unless and until he has obtained a performance<br /> licence from the Licensing Authority to hold such performance.<br /> 23. Rule 104, with which we are primarily concerned, empowers the<br /> Licensing Authority to refuse the licence in specified cases. Rule 104<br /> reads as under:<br /> “104. Power to refuse Licence.— The Licensing Authority may<br /> refuse, except in the case of a Mela, Tamasha and Ras, a licence to<br /> perform or exibit any or all of the plays or all of exhibitions or any<br /> other items of performance included in the application for licence<br /> if he considers them:—<br /> (a) To be indecent or of a scurrilous character;<br /> (b) To contain offensive references to personalities;<br /> (c) To wound the susceptibilities of any motion or followers of<br /> any religion;<br /> (d) To be seditious or to be likely to excite political<br /> discontent;<br /> (e) To promote hostile feelings between different classes;<br /> ARS 10/28<br /> <b><i>::: Uploaded on - 02/04/2026</i></b> <b><i>::: Downloaded on - 02/04/2026 22:57:44 :::</i></b><br /><br /> -WP12910-2025.DOC<br /> (f) To be calculated to cause a breach of the peace; or<br /> <br /> (g) To be objectionable on any ground other than those<br /> specified in (a), (b), (c), (d) and (f).<br /> The Licensing Authority shall not be bound to state the reasons<br /> for refusing any Performance Licence except in case of ground<br /> (g), when he shall give such reasons in writing.”<br /> 24.<br /> Evidently, Clauses (a) to (f) of Rule 104 empower the Licensing<br /> Authority to refuse licence for the specified reasons. Clause (g), which is<br /> residuary in nature, provides that the Licensing Authority may refuse<br /> the performance licence if he considers the performance, “to be<br /> objectionable on any ground other than those specified in Clauses (a) to<br /> (f)”. The Licensing Authority need not give reasons for refusing of<br /> performance licence, except in case of ground (g), whereunder he is<br /> enjoined to record reasons in writing, if the performance is considered<br /> to be objectionable. <br /> 25.<br /> In the case at hand, the performance licence has been refused<br /> under Rule 104, on the ground that the Licensing Authority was of the<br /> view that, in the event the licence to operate orchestra was granted a<br /> serious law and order situation was likely to arise. It appears, the<br /> Licencing Authority has resorted to residuary Clause (g) of Rule 104, as<br /> the licence does not seem to have been refused with reference to any of<br /> the grounds enumerated in clauses (a) to (f). Whether the aforesaid<br /> action is justifiable?<br /> ARS 11/28<br /> <b><i>::: Uploaded on - 02/04/2026</i></b> <b><i>::: Downloaded on - 02/04/2026 22:57:45 :::</i></b><br /><br /> -WP12910-2025.DOC<br /> 26. As is evident from the order passed by Licensing Authority, it<br /> <br /> appears that the Licensing Authority had received objections to the<br /> notice published under Rule 4 of the Public Amusement Rules, 1999 to<br /> the grant of the licence to operate orchestra and live music at the<br /> establishment. It records that 23 cooperative housing societies, 232<br /> citizens/local representatives and one Association of Merchants had<br /> lodged objections for the grant of licence to operate orchestra and,<br /> there were news report which revealed that the citizens were protesting<br /> against the possible grant of the licence to the Petitioner. On the basis of<br /> the aforesaid material, the Licensing Authority was persuaded to reject<br /> the Application observing that a serious law and order situation was<br /> likely to arise if the licence was granted. <br /> 27.<br /> Before the Appellate Authority, it appears, a spot inspection<br /> report was submitted by the Deputy Collector-cum-Special Executive<br /> Officer, Konkan Division. To assess the justifiability of refusal of the<br /> licence, the said spot inspection report deserves to be considered. <br /> 28.<br /> The following features emerge from the spot inspection report.<br /> The establishment was located on the ground floor of the building,<br /> “Affaires”. The said building was a completely commercial premises.<br /> There were two bars, namely, “91 Palm Lounge Bar” and “Rosewood<br /> Bar” on the ground floor of the said building. On the northern side of<br /> the Affaires, there were two buildings. The first building was also<br /> ARS 12/28<br /> <b><i>::: Uploaded on - 02/04/2026</i></b> <b><i>::: Downloaded on - 02/04/2026 22:57:45 :::</i></b><br /><br /> -WP12910-2025.DOC<br /> th<br /> having commercial offices, establishments and residential flats, from 4<br /> <br /> floor onward. The second building was having only commercial<br /> establishments. In the first building there was a bar styled, “ Sajio Bar”<br /> and, in the second building, there was another bar, “Atarangi Bar”. <br /> 29.<br /> It would be contextually relevant to note that in the Affidavit in<br /> Reply filed on behalf of the Respondents, refuting the contention of the<br /> petitioner that, in Navi Mumbai Commissionerate, there were 53 bars<br /> which were granted licence to operate orchestra/live music, it was<br /> contended that, licence to operate orchestra/live music performance<br /> was granted to 43 bars/establishments. <br /> 30.<br /> The situation which thus emerges is that in the very building, nay<br /> the ground floor on which the Petitioner intended to have a<br /> performance licence to operate an orchestra, there were two bars where<br /> the liquor was served and pre-recorded live music was allowed to be<br /> played. Likewise, in two adjacent buildings of the Affaires, there were<br /> two bars, namely Sajio and Atarangi. The building, in which the<br /> premises was situated and the Petitioner intended to have licence to<br /> operate an orchestra, was completely commercial. One of the ad-joining<br /> buildings was, however, of mixed use. Incontrovertibly, in Navi Mumbai<br /> Commissionerate area itself, the Licensing Authority had issued as many<br /> as 43 licences to operate orchestra/live music. Thus, two facts becomes<br /> absolutely clear. First, there are bars in the very building where the<br /> ARS 13/28<br /> <b><i>::: Uploaded on - 02/04/2026</i></b> <b><i>::: Downloaded on - 02/04/2026 22:57:45 :::</i></b><br /><br /> -WP12910-2025.DOC<br /> establishment in question is situated and in the adjoining buildings.<br /> <br /> Second, the Licensing Authority has granted licence to operate<br /> orchestra/live music performances for more than 40 establishments. <br /> 31. Keeping in view the aforesaid factual backdrop, an answer to the<br /> aforesaid question about the justifiability of refusal of licence deserves<br /> to be explored, in two parts. First, the procedural fairness. Second, the<br /> exercise of power within the bounds of law. <br /> 32. On the aspect of failure to provide an opportunity of hearing to<br /> the petitioner before the rejection of the application for performance<br /> license, it is not denied that no such opportunity of hearing was given to<br /> the petitioner. On the contrary, the failure to provide an opportunity of<br /> hearing was sought to be justified by the learned AGP by submitting<br /> that in a case of the present nature, it is the interest of general public<br /> which is paramount and the failure to give an opportunity of hearing to<br /> the Petitioner by the Licensing Authority cannot be said to have caused<br /> irreparable prejudice to the Petitioner. In fact in the Affidavit in Reply an<br /> assertion has been made that even if the opportunity of hearing would<br /> be given to the Petitioner the consequence would have been same. <br /> 33. I am afraid to accede to this submission. If the Licensing<br /> Authority performs an administrative function which entails civil<br /> consequences, the Licensing Authority must provide an efficacious<br /> opportunity of hearing to the person against whom an adverse order is<br /> ARS 14/28<br /> <b><i>::: Uploaded on - 02/04/2026</i></b> <b><i>::: Downloaded on - 02/04/2026 22:57:45 :::</i></b><br /><br /> -WP12910-2025.DOC<br /> passed. The Petitioner could have shown the unsustainability of the<br /> <br /> objections filed on behalf of the cooperative housing societies and<br /> citizens that the Petitioner would start a dance bar/ladies bar in the<br /> subject premise. <br /> 34.<br /> In the case of UMC Technologies Private Limited vs Food<br /> 2<br /> Corporation Of India and another , the Supreme Court enunciated that,<br /> it must be noted that it is the first principle of civilised jurisprudence<br /> that a person against whom any action is sought to be taken or whose<br /> right or interests are being affected should be given a reasonable<br /> opportunity to defend himself. The basic principle of natural justice is<br /> that before adjudication starts, the authority concerned should give to<br /> the affected party a notice of the case against him so that he can defend<br /> himself. <br /> 35.<br /> A Constitution Bench of the Supreme Court in the case of<br /> CORE vs. ECL SPIC SMO MCML (JV) (2025) 4 SCC 641, postulated the<br /> object of observing the principles of natural justice as under: <br /> “….. The object of observing the principles of natural justice is to<br /> ensure that “every person whose rights are going to be affected by<br /> the proposed action gets a fair hearing.”158 The non-observance of<br /> natural justice is itself a prejudice to any person who has been denied<br /> justice depending upon the facts and circumstances of each case.159<br /> The principle of procedural fairness is rooted in the principles of the<br /> rule of law and good governance. In Madhyamam Broadcasting<br /> Limited v. Union of India , (2023) 13 SCC 401 this Court held that the<br /> requirement of procedural fairness “holds an inherent value in<br /> itself…..”<br /> <b>2</b><br /> (2021) 2 SCC 551<br /> ARS 15/28<br /> <b><i>::: Uploaded on - 02/04/2026</i></b> <b><i>::: Downloaded on - 02/04/2026 22:57:45 :::</i></b><br /><br /> -WP12910-2025.DOC<br /> <br /> 36. Mr. Badgujar, the learned AGP further attempted to salvage the<br /> position by submitting that before the Appellate Authority an efficacious<br /> opportunity of hearing was given to the Petitioner. This submission also<br /> does not merit acceptance. <br /> 37. If an efficacious opportunity of hearing was not given to a party<br /> in the Court of first instance, the prejudice thereby caused cannot be<br /> remedied by providing an opportunity of hearing in the Appeal. If<br /> natural justice is violated at the first instance, the right of appeal cannot<br /> be a panacea. The net effect would be, instead of a fair trial followed<br /> by appeal, there would be, at best, an unfair trial followed by fair trial. <br /> 38. In a recent pronouncement in the case of Krishnadatt Awasthy vs.<br /> 3<br /> State of Madhya Pradesh and others , a three-Judge Bench of the<br /> Supreme Court considered the question whether denial of natural<br /> justice at the initial stage can be cured by an appellate body. The<br /> Supreme Court enunciated that the provision for an appeal should not<br /> rest on the assumption that the appellate body is infallible. When one<br /> party is denied the opportunity to present their case, the initial decision<br /> fails to provide meaningful guidance to the appellate authority, in<br /> achieving a fair and just resolution. The Supreme Court answered the<br /> question as under: <br /> <b>3</b><br /> (2025) 7 Supreme Court Cases 545<br /> ARS 16/28<br /> <b><i>::: Uploaded on - 02/04/2026</i></b> <b><i>::: Downloaded on - 02/04/2026 22:57:45 :::</i></b><br /><br /> -WP12910-2025.DOC<br /> “70. Following the above discussion, it must be concluded that a<br /> defect at the initial stage cannot generally be cured at the appellate<br /> stage. Even in cases where a “full jurisdiction” may be available at the<br /> appellate stage, the courts must have the discretion to relegate it to the<br /> original stage for an opportunity of hearing. Therefore, the ex parte<br /> decision to set aside the appellants’ selection stands vitiated.” <br /> (emphasis supplied)<br /> <br /> 39. This Court is of the view that, in the case at hand, the order<br /> passed by the licensing authority is infirm for non-observance of the<br /> principles of natural justice as no opportunity of hearing was provided<br /> to the petitioner in the context of the objections received on behalf of<br /> the co-operative societies and citizens. <br /> 40. Article 19(1)(g) of the Constitution of India declares that all<br /> citizens shall have the right to practice any profession, or to carry on<br /> any occupation, trade or business. Right to practise any profession or to<br /> right to any occupation, trade or business is one of the fundamental<br /> freedoms guaranteed by the Constitution. Under Clause (6) of Article<br /> 19, the State is empowered to impose reasonable restrictions on the<br /> exercise of the right conferred by said sub-clause in the interest of<br /> general public. The legality and justifiability of the action of refusal of<br /> licence would thus be required to be tested on the anvil of the<br /> constitutional protection. <br /> 41. The power to impose reasonable restrictions on the right to carry<br /> on any occupation, trade or business is in the interest of general public.<br /> The fact that the competent authorities have granted licences to operate<br /> the premises as a eating house place and even an FL-III licence,<br /> ARS 17/28<br /> <b><i>::: Uploaded on - 02/04/2026</i></b> <b><i>::: Downloaded on - 02/04/2026 22:57:45 :::</i></b><br /><br /> -WP12910-2025.DOC<br /> indicates that the extant activity of operating a bar and restaurant,<br /> <br /> albeit under requisite licences, cannot be said to be one which is<br /> prohibited. Nor the operation of orchestra or staging live music<br /> performance can said to be inherently dangerous or injurious to general<br /> public.<br /> 42. Since the Licensing Authority does not claim that there is no<br /> policy of issuing a performance licence to operate orchestra and/or<br /> render live music performances and has, in fact, issued such licences to<br /> more than 40 establishments within its jurisdiction, the staging of<br /> orchestra/live music performances cannot be said to be per se indecent<br /> or profane. <br /> 43. In a different context, in the case of State of Punjab Vs Devans<br /> 4<br /> Modern Breweries Ltd, the Supreme Court enunciated that dealing in a<br /> commodity which is governed by a statute cannot be said to be<br /> inherently noxious and pernicious. The State is entitled to prohibit any<br /> trade or commerce in potable liquor. However, once a licence is granted<br /> to carry on any trade or business, can it be said that a person is<br /> committing a crime in carrying on business in liquor although he strictly<br /> complies with the terms and conditions of licence and the provisions of<br /> the statute operating in the field? The Supreme Court observed that, if<br /> the answer to the said question was to be rendered in the affirmative, it<br /> <b>4</b> <br /> (2004) 11 SCC 26.<br /> ARS 18/28<br /> <b><i>::: Uploaded on - 02/04/2026</i></b> <b><i>::: Downloaded on - 02/04/2026 22:57:45 :::</i></b><br /><br /> -WP12910-2025.DOC<br /> will create havoc and lead to anarchy and judicial vagaries. It was<br /> <br /> concluded, so long as, it is not made impermissible to carry on such<br /> business by reason of a statute, no crime can be said to have been<br /> committed in relation thereto. <br /> 44.<br /> The following observations of the Supreme Court are instructive<br /> and hence extracted below.<br /> “48. Dealing in a commodity which is governed by a statute<br /> cannot be said to be inherently noxious and pernicious. A<br /> society cannot condemn a business nor there exists a<br /> presumption in this behalf if such business is permitted to be<br /> carried out under statutory enactments made by the legislature<br /> competent therefor. The legislature being the final arbiter as to<br /> the morality or otherwise of the civilized society has also to state<br /> as to business in which article(s) would be criminal in nature.<br /> The society will have no say in the matter. The society might<br /> have a say in the matter which could have been considered in a<br /> Court of law only under common-law right and not when the<br /> rights and obligations flow out of statutes operating in the field.<br /> Health, safety and welfare of the general public may again be a<br /> matter for the legislature to define and prohibit or regulate by<br /> legislative enactments. Regulatory statutes are enacted in<br /> conformity with Clause (6) of Article 19 of the Constitution to<br /> deal with those trades also which are inherently noxious and<br /> pernicious in nature; and furthermore, thereby sufficient<br /> measures are to be taken in relation to health, safety and<br /> welfare of the general public. The courts while interpreting a<br /> statute would not take recourse to such interpretation whereby<br /> a person can be said to have committed a crime although the<br /> same is not a crime in terms of the statutory enactment.<br /> ARS 19/28<br /> <b><i>::: Uploaded on - 02/04/2026</i></b> <b><i>::: Downloaded on - 02/04/2026 22:57:45 :::</i></b><br /><br /> -WP12910-2025.DOC<br /> Whether dealing in a commodity by a person constitutes a crime<br /> <br /> or not can only be the subject-matter of a statutory enactment.<br /> … … <br /> 51. From the analysis of decisions rendered by this Court in<br /> Cooverjee B. Bharucha, R.M.D. Chamarbaugwala, Har Shankar<br /> or Khoday Distilleries , it will appear that a person cannot claim<br /> any right to deal in any obnoxious substance on the ground of<br /> public morality. The State, therefore, is entitled to completely<br /> prohibit any trade or commerce in potable liquor. Such<br /> prohibition, however, has not been imposed. Once a licence is<br /> granted to carry on any trade or business, can it be said that a<br /> person is committing a crime in carrying on business in liquor<br /> although he strictly complies with the terms and conditions of<br /> licence and the provisions of the statute operating in the field? If<br /> the answer to the said question is to be rendered in the<br /> affirmative it will create havoc and lead to anarchy and judicial<br /> vagaries. When it is not a crime to carry on such business having<br /> regard to the fact that a person has been permitted to do so by<br /> the State in compliance with the provisions of the existing laws,<br /> indisputably he acquires a right to carry on business. Even in<br /> respect to trade in food articles or other essential commodities<br /> either complete prohibition or restrictions are imposed in the<br /> matter of carrying on any trade or business, except in terms of a<br /> licence granted in that behalf by the authorities specified in that<br /> behalf. The distinction between a trade or business being carried<br /> out legally or illegally having regard to the restrictions imposed<br /> by a statute would have, therefore, to be judged by the fact as to<br /> whether such business is being carried out in compliance with<br /> the provisions of the statute(s) operating in the field or not. In<br /> other words, so long it is not made impermissible to carry on<br /> such business by reason of a statute, no crime can be said to<br /> have been committed in relation thereto. The doctrine of res<br /> ARS 20/28<br /> <b><i>::: Uploaded on - 02/04/2026</i></b> <b><i>::: Downloaded on - 02/04/2026 22:57:45 :::</i></b><br /><br /> -WP12910-2025.DOC<br /> extra commercium, thus, would not be attracted, whence a<br /> <br /> person carries on business under a licence granted in terms of<br /> the provisions of the regulatory statutes.<br /> … … … <br /> 317. The matter is covered by statutory provisions. The court<br /> cannot interpret equality, freedom or commerce clauses of the<br /> Constitution in such a manner so as to take away the rights and<br /> obligations created under a statute on the ground of public<br /> morality or otherwise. When a statute permits a trade, morality<br /> takes a back seat as “legislature” as contradistinguished from<br /> “judiciary” is supposed to be the authority to consider the<br /> morality or otherwise of certain things prevailing in the society.”<br /> 45.<br /> The Supreme Court has thus emphasized that the legislature is<br /> the final arbiter as to the morality or otherwise of the civilised society<br /> and has also to state as to what business in which articles would be<br /> criminal in nature. The society will have no say in the matter. The<br /> Society might have say in the matter which could have been considered<br /> in a Court of law only under common law right and not when the right<br /> and obligations flow out of statute operating in the field. Health, safety<br /> and general welfare of the public may again be a matter for the<br /> legislature to define and prohibit or regulate by legislative enactments. <br /> 46. On the aforesaid touchstone, reverting to the facts of the case at<br /> hand, it is imperative to note that the sole ground on which the<br /> Application for performance licence has been refused is that, objections<br /> have been raised by the cooperative housing societies, citizens and local<br /> ARS 21/28<br /> <b><i>::: Uploaded on - 02/04/2026</i></b> <b><i>::: Downloaded on - 02/04/2026 22:57:45 :::</i></b><br /><br /> -WP12910-2025.DOC<br /> peoples representatives and a business Association. Copy of those<br /> <br /> objections have been annexed by the State to the Affidavit in Reply.<br /> From a perusal of those objections, it becomes evident that the<br /> objections are based on the premise that the premises may be used for<br /> dance bar/ ladies bar and the presence of dance bars/ladies bar would<br /> cause negative impact in the neighborhood and would give rise to<br /> public safety and security concerns. <br /> 47.<br /> In some of the representations, there is a reference to the peoples<br /> representatives spearheading the campaign. However, without delving<br /> into the contention on behalf of the Petitioner that a misinformation<br /> campaign was orchestrated against the Petitioner, on an objective<br /> analysis, the Courts finds that the resistance stemmed from the<br /> apprehension that the Petitioner would operate a dance bar/ladies bar,<br /> under the guise of orchestra.<br /> 48. It would be necessary to note that the Application for<br /> performance licence clearly records that the performance licence was<br /> sought for live band with one stage. It is not the case of the<br /> Respondents that the performance licence was required to be refused as<br /> there was an apprehension that the Petitioner would run dance<br /> bar/ladies bar under the guise of orchestra. Could the Licensing<br /> Authority thus refuse the performance licence on the basis of the<br /> ARS 22/28<br /> <b><i>::: Uploaded on - 02/04/2026</i></b> <b><i>::: Downloaded on - 02/04/2026 22:57:45 :::</i></b><br /><br /> -WP12910-2025.DOC<br /> perceived misuse of the premises in the objections lodged in response to<br /> <br /> the notice?<br /> 49.<br /> In view of the provisions contained in Rule 104 of the the Public<br /> Amusement Rules, 1999, the power to refuse the licence can be<br /> exercised for the specified reasons. Under the residuary clause (g),<br /> “objectionable on any ground other than those specified in Clauses (a)<br /> to (f)”, the Licensing Authority cannot be said to have an unfettered and<br /> unregulated power to refuse the licence. Such interpretation would give<br /> a carte blanche to the Licensing Authority. <br /> 50. To what extent, the Licensing Authority could refuse the<br /> performance licence, if the Applicant satisfies all other requirments<br /> solely on the basis of the objections raised by the members of the public<br /> in response to the notice under Rule 4 is a matter which warrants a<br /> balancing exercise. On the one part, the guarantee of fundamental<br /> freedom to carry on any trade or occupation or business is to be<br /> secured. On the other hand, the general public needs to be protected<br /> from the potential harm that may result from carrying on the particular<br /> trade or occupation. Since the activity is regulated by statute and rules,<br /> and is not per se immoral, dangerous or inherently injurious, the issue<br /> of justifiability of objections based on morality crops up for<br /> consideration. <br /> ARS 23/28<br /> <b><i>::: Uploaded on - 02/04/2026</i></b> <b><i>::: Downloaded on - 02/04/2026 22:57:45 :::</i></b><br /><br /> -WP12910-2025.DOC<br /> 51. In the case of Indian Hotel and Restaurant Association (Ahar) and<br /> <br /> 5<br /> Anr Vs State of Maharashtra while examining the constitutionality of<br /> certain provisions of the Maharashtra Prohibition of Obscene Dance in<br /> Hotels, Restaurants and Bar rooms and Protection of Dignity of Women<br /> (working therein) Act, 2016 (“the Act 2016”) and the Rules framed<br /> thereunder, the Supreme Court reemphasized that the State cannot take<br /> exception to dance performance per se. In the process, the Supreme<br /> Court made the following observations: <br /> “79. It needs to be borne in mind that there may be certain<br /> activities which the society perceives as immoral per se. It may<br /> include gambling (though that is also becoming a debatable<br /> issue now), prostitution etc. It is also to be noted that standards<br /> of morality in a society change with the passage of time. A<br /> particular activity, which was treated as immoral few decades<br /> ago may not be so now. Societal norms keep changing. Social<br /> change is of two types: continuous or evolutionary and<br /> discontinuous or revolutionary25. The most common form of<br /> change is continuous. This day-to-day incremental change is a<br /> subtle, but dynamic, factor in social analysis. It cannot be<br /> denied that dance performances, in dignified forms, are socially<br /> acceptable and nobody takes exceptions to the same. On the<br /> other hand, obscenity is treated as immoral. Therefore, obscene<br /> dance performance may not be acceptable and the State can<br /> pass a law prohibiting obscene dances. However, a practice<br /> which may not be immoral by societal standards cannot be<br /> thrusted upon the society as immoral by the State with its own<br /> notion of morality and thereby exercise ‘social control’.<br /> <b>5</b> <br /> (2019) 3 SCC 429.<br /> ARS 24/28<br /> <b><i>::: Uploaded on - 02/04/2026</i></b> <b><i>::: Downloaded on - 02/04/2026 22:57:45 :::</i></b><br /><br /> -WP12910-2025.DOC<br /> Furthermore, and in any case, any legislation of this nature has<br /> <br /> to pass the muster of constitutional provisions as well. We have<br /> examined the issues raised in the aforesaid context.<br /> 80. This brings us to the Principle of res extra commercium.<br /> Insofar as dance performances are concerned, it has already<br /> been held that it is not res extra commercium. We would, at<br /> this stage, again refer to Indian Hotel and Restaurants<br /> Association (1) where these aspects are dealt with as under:<br /> …..<br /> 80.2 Injury to Public Morals: TheCourt<br /> categorically rejected the contention that the dance<br /> bars affect or cause harm to public morale. In<br /> pertinent part, this Court stated that: &quot;120. ..In our<br /> opinion, the State neither had the empirical data to<br /> conclude that dancing in the prohibited<br /> establishment necessarily leads to depravity and<br /> corruption of public morals nor was there general<br /> consensus that such was the situation…”<br /> 80.3 Res Extra Commercium: The State Government contended<br /> that the dance performances in such establishments affect the<br /> dignity of women and leads to corruption of public morals.<br /> Thus, the respondent justified that the prohibition is a<br /> reasonable restriction necessary “in the interest of general<br /> public” as under Article 19(6) of the Constitution. This Court<br /> categorically rejected the said contention, and held that the<br /> respondent “failed to establish that the restriction is reasonable<br /> or that it is in the interest of general public”. This Court further<br /> added that the prohibition fails to satisfy the doctrine of ‘direct<br /> and inevitable effect’ to justify such restriction, and the<br /> insufficiency of the existing regulatory framework.”<br /> ARS 25/28<br /> <b><i>::: Uploaded on - 02/04/2026</i></b> <b><i>::: Downloaded on - 02/04/2026 22:57:45 :::</i></b><br /><br /> -WP12910-2025.DOC<br /> 52. In the case of Hotel Priya, A Proprietorship (Supra) , which also<br /> <br /> arose out of the conditions imposed on the orchestra performance<br /> under the Public Amusement Rules, 1999 namely, (i) the licencee was<br /> permitted to keep only four women singers/artists and four male<br /> singers/artists to remain present on permitted stage and (ii) only eight<br /> artists were permitted to remain present on the permitted stage (four<br /> male and four women), the Supreme Court examined the legality and<br /> justifiability of those conditions. <br /> 53. The Supreme Court observed that the impugned gender-cap (i.e.<br /> four females and four males, in any performance) appeared to be the<br /> product of a stereotypical view that women who perform in the bars<br /> and establishments, like the appellants, belong to a certain class of<br /> society. The Supreme Court declared the condition imposing a gender<br /> cap as to the number of women or men, who can perform in orchestras<br /> and bands, in bars licenced under the Rules, 1960 and other allied<br /> provisions, was void. While the overall limit of performers in any given<br /> performance cannot exceed eight, the composition (i.e., all female,<br /> majority female or male, or vice versa) can be of any combination,<br /> declared the Supreme Court. After referring to the previous<br /> pronouncement in the case of Hotel Priya, A Proprietorship (Supra) , the<br /> Supreme Court observed inter alia as under:<br /> ARS 26/28<br /> <b><i>::: Uploaded on - 02/04/2026</i></b> <b><i>::: Downloaded on - 02/04/2026 22:57:45 :::</i></b><br /><br /> -WP12910-2025.DOC<br /> “43. It is thus clear that each of the arguments which the<br /> <br /> state is relying on, were considered in the context of challenge<br /> to statutory prohibitions, as well as license conditions. The<br /> arguments advanced in the present case, that the restrictions<br /> are necessary in the public interest, to promote the welfare of<br /> women, prevent human trafficking in women, and their<br /> exploitation, and that the restrictions are necessary in the<br /> interest of public morals, are well worn, and have been<br /> decisively rejected. Apart from regurgitating the same rejected<br /> submissions, the state has not justified, independently, how the<br /> gender-cap, as for an individual orchestra or band, is<br /> regulatory.”<br /> 54. In the light of the aforesaid position in law, in the considered<br /> view of this Court, the impugned order refusing the performance licence<br /> on the ground that a serious law and order situation may arise if licence<br /> for orchestra/live music performance was granted, appeared to be<br /> without any objective basis. The Licensing Authority has taken into<br /> account the objections raised on behalf of the society and citizens which<br /> were evidently based on an incorrect impression that once the<br /> orchestra/live music performance licensee is granted, the Petitioner<br /> would operate the dance bar/ ladies bar. In view of the provisions of the<br /> Act 2016, even the operating of dance bar per se is not completely<br /> prohibited. Thus on an misplaced apprehension, the performance<br /> licence could not have been rejected. <br /> 55.<br /> For the forgoing reasons the Petition deserves to be allowed.<br /> ARS 27/28<br /> <b><i>::: Uploaded on - 02/04/2026</i></b> <b><i>::: Downloaded on - 02/04/2026 22:57:45 :::</i></b><br /><br /> -WP12910-2025.DOC<br /> 56. Hence, the following order:<br /> <br /> : O R D E R:<br /> (i) The Petition stands allowed. <br /> (ii) The impugned order as well as the order passed by<br /> the Licensing Authority refusing the performance licence<br /> stand quashed and set aside.<br /> (iii) The Licensing Authority shall grant performance<br /> licence to operate orchestra/live music performance, if<br /> other conditions are fulfilled, within a period of four<br /> weeks from the date of communication of this order. <br /> (iv) Rule made absolute to the aforesaid extent.<br /> No costs. <br /> [N. J. JAMADAR, J.]<br /> ARS 28/28<br /> <b><i>::: Uploaded on - 02/04/2026</i></b> <b><i>::: Downloaded on - 02/04/2026 22:57:45 :::</i></b></div>