Gurbaaz Pratap Singh Mann vs Kunwar Raghav Bhandari And Ors
- Court
- Delhi High Court
- Case type
- Civil Suit Commercial
- Decided on
- 10-04-2026
<div> <br /> <b> </b><br /> * <b>IN THE HIGH COURT OF DELHI AT NEW DELHI </b><br /> <b> </b><br /> % <i>Judgment delivered on: 10.04.2026 </i><br /> <br /> + <b>CS(COMM) 700/2024 </b><br /> <b> </b><br /> <b>GURBAAZ PRATAP SINGH MANN. </b> .....Plaintiff <br /> <br /> Versus <br /> <br /> <b>KUNWAR RAGHAV BHANDARI AND ORS.</b> ....Defendants <br /> <br /> <br /> <b>Advocates who appeared in this case </b><br /> <b> </b><br /> For the Plaintiff : Ms. Malvika Trivedi, Senior Advocate with <br /> Mr. Nikhil Chawla, Mr. Nikhil Palli, Ms. <br /> Niyati Razdan, Mr. Shailendra Slaria and <br /> Ms. Mansha Mehta, Advocates. <br /> <br /> For the Defendants : Mr. Chander M. Lall, Senior Advocate with <br /> Mr. Abhishek Singh, Mr. J. Amal Anand, <br /> Mr. Elvin Joshy, Ms. Shivani Kalra, Mr. <br /> K.V. Vibu Prasad, Mr. Ayush Soni and Ms. <br /> Annanya Mehan, Advocates. <br /> <br /> <b>CORAM:</b> <br /> <b>HON'BLE MR. JUSTICE TEJAS KARIA </b><br /> <br /> <b> </b><br /> <b>JUDGMENT </b><br /> <b> </b><br /> <b>TEJAS KARIA, J </b><br /> <b>I.A. No. 36773/2024 </b><br /> 1. This is an Application under Order XXXIX Rules 1 and 2 read with <br /> Section 151 of the Code of Civil Procedure, 1908 (“ <b>CPC</b> ”) on behalf of the <br /> Plaintiff seeking interim injunction as under: <br /> <i> </i><br /> <i>CS(COMM) 700/2024 </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> Page 1 of 45</i><br /> <br /> Signature Not Verified<br /> Signed By:SWATI<br /> MAYEE SAHU<br /> Signing Date:11.04.2026<br /> 21:29:05<br /><br /> <br /> <b> </b><br /> <i>“a. A Decree for permanent injunction restraining the </i><br /> <i>Defendants, its directors, executives, partners or </i><br /> <i>proprietors, subsidiaries, sister concerns as the case </i><br /> <i>may be, their officers, servants and agents or any other </i><br /> <i>persons acting for and on their behalf from </i><br /> <i>misappropriating, </i> <i>performing, </i> <i>publishing, </i><br /> <i>disseminating, offering for use/sale, offering for </i><br /> <i>download, using, advertising, operating, marketing, </i><br /> <i>selling, dealing in any manner, directly or indirectly, the </i><br /> <i>Impugned </i> <i>Game </i> <i>‘IGPL </i> <i>FLASH </i> <i>GOLF/SMASH </i><br /> <i>FORMAT’ which is a reproduction and/or substantial </i><br /> <i>reproduction and copy of the Plaintiffs’ original </i><br /> <i>expression ‘SHOT SQUAD LEAGUE’/‘THE SMASH </i><br /> <i>LEAGUE’ so as to infringe Plaintiff's Copyright in the </i><br /> <i>Game </i> <i>‘SHOT </i> <i>SQUAD </i> <i>LEAGUE’/‘THE </i> <i>SMASH </i><br /> <i>LEAGUE’, including but not limited to the Game </i><br /> <i>Mechanics/Game Play, format, other features as </i><br /> <i>mentioned herein etc, by reproducing the same in any </i><br /> <i>material form or using the same or any colourable </i><br /> <i>imitation thereof or otherwise howsoever, amounting to </i><br /> <i>infringement of Copyright; </i><br /> <i>b. </i> <i>A Decree for permanent injunction restraining the </i><br /> <i>Defendants, its directors, executives, partners or </i><br /> <i>proprietors, subsidiaries, sister concerns as the case </i><br /> <i>may be, their officers, servants and agents or any other </i><br /> <i>advertising, </i> <i>marketing, </i> <i>publishing, </i> <i>disseminating, </i><br /> <i>offering for use/sale, and/or dealing in any manner, </i><br /> <i>directly or indirectly, any brochure/sheet/literary text, </i><br /> <i>which is reproduction and/or substantial reproduction </i><br /> <i>of so as to infringe the Plaintiff’s Copyright in the </i><br /> <i>original Literary Work titled ‘SHOT SQUAD LEAGUE’ </i><br /> <i>bearing Registration No. L- 87301/2019”, amounting to </i><br /> <i>infringement of Copyright; </i><br /> <i>c. </i> <i>A Decree for permanent injunction restraining the </i><br /> <i>Defendants, its directors, executives, partners or </i><br /> <i>proprietors, subsidiaries, sister concerns as the case </i><br /> <i>may be, their officers, servants and agents or any other </i><br /> <i>persons acting for and on their behalf from using, </i><br /> <i>advertising, marketing, operating, offering for use, </i><br /> <i>and/or in any manner using directly or indirectly in </i><br /> <i>relation to any golf purposes and/or such allied and </i><br /> <i> </i><br /> <i>CS(COMM) 700/2024 </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> Page 2 of 45</i><br /> <br /> Signature Not Verified<br /> Signed By:SWATI<br /> MAYEE SAHU<br /> Signing Date:11.04.2026<br /> 21:29:05<br /><br /> <br /> <b> </b><br /> <i>cognate goods and/or services, under the Impugned </i><br /> <i>Mark ‘SMASH’ or any other identical and/or </i><br /> <i>deceptively similar mark to the Plaintiff’s Mark ‘THE </i><br /> <i>SMASH LEAGUE’ / </i><br /> <i>’, amounting to </i><br /> <i>infringement of the Plaintiffs registered marks under </i><br /> <i>Class 41; </i><br /> <i>d. </i> <i>A Decree for permanent injunction restraining the </i><br /> <i>Defendants, its directors, executives, partners or </i><br /> <i>proprietors, subsidiaries, sister concerns as the case </i><br /> <i>may be, their officers, servants and agents or any other </i><br /> <i>persons acting for and on their behalf from using, </i><br /> <i>advertising, marketing, operating, offering for use, </i><br /> <i>and/or in any manner using directly or indirectly in </i><br /> <i>relation to any golf purpose and/or such allied and </i><br /> <i>cognate goods and/or services, under the Impugned </i><br /> <i>Mark ‘SMASH’ or any other identical and/or </i><br /> <i>deceptively similar mark to the Plaintiff’s Mark </i><br /> <i>‘SMASH/THE </i> <i>SMASH </i> <i>LEAGUE’ </i> <i>/ </i><br /> <i>’, or doing any other thing which </i><br /> <i>will lead to Passing off of the goods and services of the </i><br /> <i>Defendant as those of the Plaintiff; </i><br /> <i>e. </i> <i>A Decree for permanent injunction restraining the </i><br /> <i>Defendants, its directors, executives, partners or </i><br /> <i>proprietors, subsidiaries, sister concerns as the case </i><br /> <i>may be, their officers, servants and agents or any other </i><br /> <i>persons acting for and on their behalf from using, </i><br /> <i>advertising, marketing, operating, offering for use, </i><br /> <i>and/or in any manner using directly or indirectly in </i><br /> <i>relation to any golf purpose and/or such allied and </i><br /> <i>cognate goods and/or services, under the Impugned </i><br /> <i>Mark ‘SMASH’ or any other identical and/or </i><br /> <i>deceptively similar mark to the Plaintiff’s Marks </i><br /> <i>‘SMASH/THE SMASH LEAGUE’ / </i><br /> <i>’, </i><br /> <i>or doing any other thing which will lead to dilution of </i><br /> <i>the Plaintiff’s Trade Marks mentioned in the Plaint;”</i> <br /> <i> </i><br /> <i>CS(COMM) 700/2024 </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> Page 3 of 45</i><br /> <br /> Signature Not Verified<br /> Signed By:SWATI<br /> MAYEE SAHU<br /> Signing Date:11.04.2026<br /> 21:29:05<br /><br /> <br /> <b> </b><br /> <b>FACTUAL</b> <b> </b> <b>BACKGROUND: </b><br /> 2. The Plaintiff has filed the present Suit seeking, <i>inter alia, </i> permanent <br /> injunction restraining the Defendants from infringing the Plaintiff’s <br /> exclusive copyright in respect of literary work containing the novel and <br /> original expression being “SHOT SQUAD LEAGUE” / “THE SMASH <br /> LEAGUE” by exploitation/utilization of the said work in any mode and <br /> manner, without valid license or authorization from the Plaintiff in any <br /> manner whatsoever and also infringement of trademark, passing off, <br /> rendition of accounts, damages etc. <br /> 3. The Plaintiff, Mr. Gurbaaz Pratap Singh Mann, is a professional golfer <br /> having over twenty years of experience. The Plaintiff claims to be an <br /> acclaimed and renowned player in the sport of golf and related solutions in <br /> technology, teaching solutions and industrial applications. <br /> 4. The Plaintiff has contended that in order to make the sport of golf <br /> more viable for players and viewers and to boost the golf industry, the <br /> Plaintiff created an original and unique expression of the game of golf <br /> named “SHOT SQUAD LEAGUE” / “THE SMASH LEAGUE”. <br /> According to the Plaintiff, the original expression of the Plaintiff’s Work has <br /> a unique game format, rules, penalties, point system, team structure etc., <br /> which is commonly referred to as “Smash/Fast paced Format”, significantly <br /> deviating from the traditional game of golf. <br /> 5. The Plaintiff claims that the Plaintiff first conceptualized “SHOT <br /> SQUAD LEAGUE” / “THE SMASH LEAGUE” in August, 2019 and <br /> conducted trial, in which 30 players took part until the expression was <br /> streamlined as a complete solution. The Plaintiff has stated that substantial <br /> time and resources were spent by the Plaintiff on this work. <br /> <i> </i><br /> <i>CS(COMM) 700/2024 </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> Page 4 of 45</i><br /> <br /> Signature Not Verified<br /> Signed By:SWATI<br /> MAYEE SAHU<br /> Signing Date:11.04.2026<br /> 21:29:05<br /><br /> <br /> <b> </b><br /> 6. It is the case of the Plaintiff that Plaintiff applied for a copyright as a <br /> Literary Work on 14.10.2019 and subsequently, the Plaintiff obtained the <br /> copyright registration on 27.11.2019 for the original Literary Work titled <br /> “SHOT SQUAD LEAGUE” bearing registration No.L-87301/2019. The <br /> Plaintiff claims that the features which make “SHOT SQUAD LEAGUE” / <br /> “THE SMASH LEAGUE” a one-of-a-kind unique and original expression <br /> of the traditional game of golf are as under: <br /> a. <b><i>Team Game</i></b> <i>: </i> “SHOT SQUAD LEAGUE” / “THE SMASH <br /> LEAGUE” is a team game where each team has 4-5 players and is <br /> inherently distinguishable from the traditional game of golf which is a <br /> predominantly a single player game. In the Team Game, all teams <br /> shall designate one member amongst themselves as a Captain/Team <br /> Representative to be a point of contact with the League. <br /> b. <b><i>Specialization in any one discipline</i></b> <i>: </i> In the traditional game of golf, a <br /> player has to play all four specializations / broad disciplines i.e. <br /> driving and tee shot, fairway woods, hybrids and irons, wedges and <br /> short game and putting. Whereas in “SHOT SQUAD LEAGUE” / <br /> “THE SMASH LEAGUE”, players chose one of the four <br /> specializations / disciplines by declaring their specialization before <br /> teeing off on a hole. <br /> c. <b><i>Limited number of clubs allowed</i></b> <i>: </i> In the traditional game of golf, 14 <br /> clubs are allowed to an individual player, however, in “SHOT <br /> SQUAD LEAGUE” / “THE SMASH LEAGUE”, the Tee Specialist is <br /> allowed 3 clubs, Fairway Specialist is allowed 6 clubs, Shot Game <br /> Specialist is allowed 4 clubs and Putting Specialist is allowed only <br /> Putter and the same must be declared before teeing off a hole. <br /> <i> </i><br /> <i>CS(COMM) 700/2024 </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> Page 5 of 45</i><br /> <br /> Signature Not Verified<br /> Signed By:SWATI<br /> MAYEE SAHU<br /> Signing Date:11.04.2026<br /> 21:29:05<br /><br /> <br /> <b> </b><br /> d. <b><i>Nominated Player depending on PAR in Golf</i></b> <i>:</i> In the traditional <br /> game of golf, single player will play all types of PAR, whereas in <br /> “SHOT SQUAD LEAGUE” / “THE SMASH LEAGUE”, the number <br /> of players for each PAR shall be nominated equal to the number of <br /> strokes required to be played for that particular hole. <br /> e. <b><i>Introducing Limited Holes in Play</i></b> <i>:</i> In “SHOT SQUAD LEAGUE” / <br /> “THE SMASH LEAGUE”, there shall be a specified hole in play <br /> between 2 to 6 as opposed to 9 or 18 holes in the traditional game of <br /> golf. Each team shall play each hole a specified number of times <br /> consecutively as determined for that event. <br /> f. <b><i>Introduction of Designated Drop Zones</i></b> <i>:</i> In “SHOT SQUAD <br /> LEAGUE” / “THE SMASH LEAGUE”, there shall be a designated <br /> DROP ZONE marked in the Fairway and if the tee shot is hit out of <br /> bounds, the Tee Specialist shall not play a provisional ball and the <br /> Iron Specialist shall drop a ball in the DROP ZONE and play the <br /> fourth shot. <br /> g. <b><i>Specific Designations only for Putting</i></b> <i>:</i> In “SHOT SQUAD <br /> LEAGUE” / “THE SMASH LEAGUE”, only the Putting Specialist is <br /> allowed to Putt, however, the Shot Games Specialist is allowed on the <br /> green to assist the Putting Specialist and the putting is allowed from <br /> off the green. <br /> h. <b><i>Penalties</i></b> <i>:</i> In case of unplayable lie, the players take a “Penalty Drop” <br /> 2 club lengths from nearest point of relief no closer to the hole and <br /> repeat if necessary. Unrepaired bunkers and pitch marks shall incur a <br /> 1-shot penalty for the team responsible. <br /> <i> </i><br /> <i>CS(COMM) 700/2024 </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> Page 6 of 45</i><br /> <br /> Signature Not Verified<br /> Signed By:SWATI<br /> MAYEE SAHU<br /> Signing Date:11.04.2026<br /> 21:29:05<br /><br /> <br /> <b> </b><br /> 7. It is the case of the Plaintiff that the peculiar and distinguishing <br /> feature of the Plaintiff’s game “SHOT SQUAD LEAGUE” / “THE SMASH <br /> LEAGUE”, making it an original and unique expression of the Plaintiff in <br /> comparison to the traditional game of golf are as follows: <br /></div><table><thead><tr><th>“Feature</th><th>Traditional Game of Golf</th><th>‘Shot Squad League’ / ‘The<br>Smash League’ by the Plaintiff</th></tr></thead><tbody><tr><td>No. of Players</td><td>Single Player Game</td><td>It is a team game. Each Team<br>has 4-5 players.</td></tr><tr><td>Format</td><td>A player must play all 4<br>specializations/broad<br>disciplines (“driving and tee<br>Shot, Fairway-woods, hybrids<br>and Irons, Wedges and Short<br>Game and Putting”).</td><td>Players may choose to<br>specialize in just one of the 4<br>mentioned disciples of the sport<br>and yet compete as a team. This<br>way, the slight nuances<br>required within the change of<br>these 4 disciplines are no<br>longer hindrances in the<br>competitiveness and enjoyment<br>of the sport.</td></tr><tr><td>Holes</td><td>In a standard round, there<br>are 18 holes or 9 holes.</td><td>There shall be specified holes<br>in play (2-6), as opposed to 9<br>holes or 18 holes in a standard<br>round of traditional game of<br>golf. Each team shall play each<br>hole a specified number of<br>times consecutively as<br>determined for that event.</td></tr><tr><td>Clubs Allowed</td><td>Players are allowed to use<br>any of the 14 clubs.</td><td>The Tee Specialist is allowed<br>any of the 3 clubs. Fairway<br>Specialist is allowed any 6<br>clubs, Short Game Specialist is<br>allowed any 4 clubs, and<br>Putting Specialist is only<br>allowed Putter.</td></tr><tr><td>Time</td><td>Takes 4 or more hours to play<br>a full round of golf. (18 holes)</td><td>Takes 45 min or less to<br>complete a full round. (1 to 6<br>holes)</td></tr><tr><td>Nomination of<br>Players</td><td>A single player has to play all<br>holes on the course.</td><td>Players are nominated by the<br>team depending on PAR. On a<br>PAR 3, 3 layers shall be</td></tr></tbody></table><div><br /> <i> </i><br /> <i>CS(COMM) 700/2024 </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> Page 7 of 45</i><br /> <br /> Signature Not Verified<br /> Signed By:SWATI<br /> MAYEE SAHU<br /> Signing Date:11.04.2026<br /> 21:29:05<br /><br /> <br /> <b> </b><br /></div><table><thead><tr><th></th><th></th><th>nominated by the team to play<br>the hole. On a PAR 4, 4 players<br>shall be nominated by the team<br>to play the hole. On a PAR 5, 5<br>players shall be nominated by<br>the team to play the hole. On a<br>PAR 5, there shall be 2 fairway<br>specialists. Therefore the 6<br>allotted clubs shall be divided<br>between the 2 players as the<br>team decides and must be<br>declared before the hole is<br>played.</th></tr></thead><tbody><tr><td>Introduction of<br>Designated<br>Drop and Safe<br>Zones</td><td>SAFE ZONES are not<br>provided during play</td><td>SAFE ZONES are provided<br>during the course of the play.<br>SAFE ZONES are marked at<br>places on each hole and around<br>the green. For their safety,<br>players must be in the SAFE<br>ZONE before their team<br>member hits the preceding shot.<br>There shall also be a<br>designated DROP ZONE<br>marked on the fairway. If the<br>tee shot is hit OUT OF<br>BOUNDS, the tee specialist<br>shall NOT play a provisional<br>ball. The Iron specialist shall<br>drop a ball in the DROP ZONE<br>and play the 4th shot. If the tee<br>shot is hit into the rough, the<br>Iron specialist has an option to<br>declare the ball unplayable if<br>need be. In that case, the Iron<br>specialist shall drop a ball in<br>the DROP ZONE and play the<br>4th shot.</td></tr><tr><td>Location</td><td>Not considered a Stadium<br>Sport</td><td>Designed to be played in a<br>STADIUM / Arena<br>environment”</td></tr></tbody></table><div><br /> <i> </i><br /> <i>CS(COMM) 700/2024 </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> Page 8 of 45</i><br /> <br /> Signature Not Verified<br /> Signed By:SWATI<br /> MAYEE SAHU<br /> Signing Date:11.04.2026<br /> 21:29:05<br /><br /> <br /> <b> </b><br /> 8. According to the Plaintiff, the Game Mechanics / Game Play, which <br /> includes the strategy for choosing the club, players depending on <br /> specialization in disciplines of golf, unique and novel format, limited holes, <br /> etc., are the unique and original expression of the Plaintiff’s game “SHOT <br /> SQUAD LEAGUE” / “THE SMASH LEAGUE”, which is solely the <br /> creative result of the Plaintiff’s hard work, knowledge, skill and labour. <br /> 9. The Plaintiff has also registered the Mark, “THE SMASH LEAGUE” <br /> / <br /> under the Trade Marks Act, 1999 in Class 41 for <br /> services being ‘education, providing training and sporting activities relating <br /> to golf, educating the players regarding playing golf game, providing <br /> training to players, technical training of players to improve performance and <br /> technique of playing golf, provision and management of sporting events, <br /> management of events for sporting clubs’ bearing trade mark number <br /> 4441624 dated 14.02.2020 on a ‘proposed to be used’ basis. <br /> 10. The Plaintiff claims that the Plaintiff has been continuously, <br /> uninterruptedly and extensively using the Trade Mark / <br /> for all its marketing activities, social media handles <br /> and website since February, 2020 and therefore, the said trade mark has <br /> gained immense goodwill and reputation in the market, which makes the <br /> user solely relate to the said Mark <br /> , to that of the <br /> Plaintiff’s game and no one else. <br /> <i> </i><br /> <i>CS(COMM) 700/2024 </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> Page 9 of 45</i><br /> <br /> Signature Not Verified<br /> Signed By:SWATI<br /> MAYEE SAHU<br /> Signing Date:11.04.2026<br /> 21:29:05<br /><br /> <br /> <b> </b><br /> 11. The Plaintiff has stated that the Plaintiff launched and performed the <br /> literary work in “SHOT SQUAD LEAGUE” / “THE SMASH LEAGUE” by <br /> conducting a competitive tournament for the first time in Chandigarh on <br /> 02.03.2020 under banner of “THE SMASH LEAGUE”, in which Defendant <br /> No.1 also took part as a player and was a part of the WhatsApp group titled <br /> “THE SMASH LEAGUE” and, therefore, he got complete access to the <br /> Plaintiff’s original work. <br /> <br /> 12. The Plaintiff obtained the registration of the Trade Mark “THE <br /> SMASH LEAGUE” / <br /> bearing Application No.4441624 <br /> in Class 41 on 14.10.2020. <br /> 13. In January, 2021, Defendant No. 7, Brandon Desouza approached the <br /> Plaintiff for collaboration and the Plaintiff disclosed the original expression <br /> of the game format / rules / features and proprietary information of the <br /> Plaintiff’s Work to Defendant No. 7 through e-mail dated 17.02.2021. <br /> 14. In November 2023, Defendant Nos. 1 and 6 approached the Plaintiff <br /> for collaboration. On 16.01.2024, Defendant No.6 filed a multi-class <br /> application for the Mark “IGPL” including Class 41. On 13.03.2024, <br /> Defendant Nos. 1 and 2 incorporated Defendant No. 4 company. On <br /> 08.04.2024, Defendant Nos. 1 and 2 incorporated Defendant No. 5 company. <br /> On 26.04.2024, Defendant No.6 circulated a private placement offer of <br /> Rs.10,00,00,000/- to invest in Defendant No.3 company. <br /> 15. The Plaintiff has stated that the Plaintiff was shocked to learn that <br /> Defendant No.3 conducted “IGPL Invitational Golf 2024 Tournament” at <br /> Jaypee Greens Golf Course, Greater Noida on 28.06.2024, wherein <br /> <i> </i><br /> <i>CS(COMM) 700/2024 </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> Page 10 of 45</i><br /> <br /> Signature Not Verified<br /> Signed By:SWATI<br /> MAYEE SAHU<br /> Signing Date:11.04.2026<br /> 21:29:05<br /><br /> <br /> <b> </b><br /> Defendant No. 3 had launched “IGPL FLASH GOLF / SMASH FORMAT” <br /> (“ <b>Impugned Work</b> ”), which was an exact imitation and / or substantial <br /> reproduction of the Game Mechanics / Game Play of Plaintiff’s original <br /> expression “SHOT SQUAD LEAGUE” / “THE SMASH LEAGUE” and <br /> Plaintiff’s copyrighted literary work titled “SHOT SQUAD LEAGUE”. <br /> 16. Defendant No. 3 is operated by Defendant Nos. 4 and 5 companies, <br /> wherein Defendant No. 1 and Defendant No. 2 are the directors. <br /> <br /> 17. The Plaintiff claims that a bare perusal of the Information Sheet <br /> (“ <b>Impugned Sheet</b> ”) for the Impugned Work shows substantial reproduction <br /> of the Work of the Plaintiff including the registered Literary Work of the <br /> Plaintiff. Plaintiff has alleged that Defendant No. 3 has blatantly copied all <br /> the features such as conditions of play, team composition, format, penalties, <br /> scoring etc., of the Plaintiff’s work in a substantial manner. <br /> 18. The comparison of the Impugned Sheet and the Plaintiff’s Literary <br /> Work is as under: <br /></div><table><thead><tr><th>“Expression</th><th>Details of Impugned Work<br>in the Defendant No. 3’<br>Impugned Brochure/Sheet</th><th>Plaintiff’s Literary<br>Work</th></tr></thead><tbody><tr><td>Provision of Team</td><td>“Professional will play the<br>IGPL Flash Golf Format<br>as a team”</td><td>“Each Team is a 2 or<br>more-member team”</td></tr><tr><td>Announcing/Declaring<br>the Role of a Player</td><td>“team members will pre-<br>assign each player for<br>specific shot<br>taking…Teams detailing<br>the players with shots<br>assigned MUST be<br>announced to the<br>tournament committee<br>before the start of the<br>play.”</td><td>“Each Player must<br>declare their<br>‘Specialization’<br>(Discipline) or multiple<br>specializations<br>(disciplines).”</td></tr></tbody></table><div><br /> <i> </i><br /> <i>CS(COMM) 700/2024 </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> Page 11 of 45</i><br /> <br /> Signature Not Verified<br /> Signed By:SWATI<br /> MAYEE SAHU<br /> Signing Date:11.04.2026<br /> 21:29:05<br /><br /> <br /> <b> </b><br /></div><table><thead><tr><th>Types of shots/Role of<br>the Players based on<br>the type of shots</th><th>“If player A has been pre-<br>assigned for Tee Shot,<br>player B for the second<br>shot, player C for the 3rd<br>shot and player D for the<br>Putt”<br>“Definite areas will be<br>MARKED on the course for<br>specific shots as Tee Shot<br>(1st Shot), Approach (2nd<br>Shot), Chipper (3rd Shot)<br>and Putter (4th Shot).”</th><th>“Tee Specialist - as per<br>event rules<br>Fairway Specialist - as<br>per event rules<br>Wedge Specialist - as<br>per event rules<br>Putting Specialist - as<br>per event rules”</th></tr></thead><tbody><tr><td>Provision of Specified<br>Time</td><td>“Time Limitation - Each<br>hole will be granted 120<br>seconds to complete which<br>will be the specified time<br>limit.”</td><td>“‘Time Keeping’ is a<br>new addition to the sport<br>to ensure that everyone<br>on the hole is able to<br>maintain the pace of the<br>play. The pace will be<br>set the moment the tee<br>ball is hit.<br>Advantages: 1. Time<br>saving…”</td></tr><tr><td>Provisional/Spare Ball<br>to be with the players<br>during the play</td><td>“Besides the Ball-in-play,<br>Players are advised to keep<br>a spare Golf Ball with them<br>at all times during the<br>IGPL Flash Golf Round”</td><td>“In case of out of<br>bounds or probable ball<br>lost, the provisional ball<br>must be played<br>immediately as the clock<br>will not reset for the new<br>ball-in-play on the<br>hole.”</td></tr><tr><td>Similar no of holes</td><td>“IGPL Flash Golf Format<br>played over 2 holes”</td><td>played over 1 to 6 holes</td></tr><tr><td>Ranking based on<br>Team’s Performance</td><td>“The gross score by the<br>team’s professional and the<br>total score will lead to the<br>leaderboard being decided.<br>The team with the lowest<br>score will the winner of the<br>IGPL Invitational”</td><td>“Introduces a new Team<br>ranking on a global<br>scale.”<br>“Worst score on the<br>hole is defined by the<br>event management”</td></tr><tr><td>Out of Play</td><td>“A ball with be considered<br>out-of-play if the ball</td><td>“In case of Out of<br>bounds…the provisional</td></tr></tbody></table><div><br /> <i> </i><br /> <i>CS(COMM) 700/2024 </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> Page 12 of 45</i><br /> <br /> Signature Not Verified<br /> Signed By:SWATI<br /> MAYEE SAHU<br /> Signing Date:11.04.2026<br /> 21:29:05<br /><br /> <br /> <b> </b><br /></div><table><thead><tr><th></th><th>comes to rest outside the<br>boundary of the<br>runner…teams must use<br>nearest drop zone and<br>continue play.”</th><th>ball must be played<br>immediately”</th></tr></thead><tbody></tbody></table><div><br /> <br /> 19. The Plaintiff has stated that the funds for launching and promoting the <br /> Impugned Work were raised from various channels including contributions <br /> from Defendant No.6, who is also the registered proprietor for the word <br /> Mark “IGPL”, which is an abbreviation of Defendant No.3, Indian Golf <br /> Premier League, and also the title of the Impugned Work. <br /> 20. According to the Plaintiff, there is a significant connection between <br /> the Defendants suggesting a deliberate conspiracy to misappropriate the <br /> Plaintiff’s original work with the sole object of earning easy profits by <br /> riding on the coat-tails of the Plaintiff’s creative efforts, goodwill and <br /> reputation without any independent investment by committing infringement <br /> of Copyright and Trade Mark of the Plaintiff’s Work and also passing off, <br /> dilution and unfair competition. <br /> 21. The Plaintiff has, accordingly, filed the present Suit along with the <br /> present Application. <br /> 22. <i>Vide </i> order dated 20.08.2024, Summons in the Suit and Notice in this <br /> Application were issued. After the pleadings were completed, the <br /> submissions on the present Application were heard on 09.12.2025. The <br /> order dated 09.12.2025 records as under: <br /> <i>“1. </i> <i>The learned Senior Counsel for the Parties have made their </i><br /> <i>submissions. </i><br /> <i>2. </i> <i>Both </i> <i>the </i> <i>Parties </i> <i>shall </i> <i>file </i> <i>their </i> <i>respective </i> <i>Notes </i><br /> <i>distinguishing the Judgments relied upon by the other side within a </i><br /> <i>period of two days from date. </i><br /> <i> </i><br /> <i>CS(COMM) 700/2024 </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> Page 13 of 45</i><br /> <br /> Signature Not Verified<br /> Signed By:SWATI<br /> MAYEE SAHU<br /> Signing Date:11.04.2026<br /> 21:29:05<br /><br /> <br /> <b> </b><br /> <i>3. </i> <i>In relation to the interim relief sought in Paragraph No. 23(c) </i><br /> <i>of this Application with regard to the infringement of the Mark, </i><br /> <i>‘SMASH’ or any other identical and / or deceptively similar mark to </i><br /> <i>the </i> <i>Plaintiff’s </i> <i>Mark </i> <i>‘THE </i> <i>SMASH </i> <i>LEAGUE’ </i> <i>/ </i><br /> <i>‘</i><br /> <i>’, the learned Senior Counsel for the </i><br /> <i>Defendants, on instructions, submits that without prejudice to the </i><br /> <i>rights and contentions of the Defendants that the Plaintiff cannot </i><br /> <i>have exclusivity on the word ‘SMASH’, the Defendants have ceased </i><br /> <i>using the word ‘SMASH’ and in place of the same, are using the </i><br /> <i>word ‘FLASH’ even prior to filing of the present Suit, which will </i><br /> <i>continue till the final disposal of this Suit. The said Statement is </i><br /> <i>taken on record and the Defendants are directed to be bound by the </i><br /> <i>same. </i><br /> <i>4. </i> <i>As the Defendants have unilaterally decided to not use the </i><br /> <i>word ‘SMASH’ in relation to any golf tournament or providing any </i><br /> <i>other allied and cognate goods and / or services offered by them and </i><br /> <i>have agreed to be bound by the said Statement during the pendency </i><br /> <i>of the Suit, the relief sought in Paragraph No. 23(c) of this </i><br /> <i>Application does not survive. </i><br /> <i>5. </i> <i>List for further directions on 12.12.2025 in the Supplementary </i><br /> <i>List.”</i> <br /> 23. Accordingly, on 12.12.2025, the Parties submitted their respective <br /> Notes distinguishing the judgments relied upon by the other side and the <br /> order was reserved. <br /> <b>SUBMISSIONS</b> <b> </b> <b>ON</b> <b> </b> <b>BEHALF</b> <b> </b> <b>OF</b> <b> </b> <b>THE</b> <b> </b> <b>PLAINTIFF: </b><br /> 24. Learned Senior Counsel for the Plaintiff submitted that: <br /> 24.1 The Plaintiff’s original work being “SHOT SQUAD LEAGUE” is <br /> worthy of copyright protection as the gaming format / Game Play is original <br /> and has a unique format, rules, penalties, point system, team structure, <br /> details of which are evident from the table comparing the traditional game of <br /> golf and “SHOT SQUAD LEAGUE” / “THE SMASH LEAGUE”. <br /> <i> </i><br /> <i>CS(COMM) 700/2024 </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> Page 14 of 45</i><br /> <br /> Signature Not Verified<br /> Signed By:SWATI<br /> MAYEE SAHU<br /> Signing Date:11.04.2026<br /> 21:29:05<br /><br /> <br /> <b> </b><br /> 24.2 The comparison also shows that there is a modicum of creativity in <br /> the Plaintiff’s unique expression and the Plaintiff has put certain skill and <br /> creativity in the expression of his idea, which is protectable as held in <br /> <b><i>Eastern Book Company & Ors. v. D.B. Modak & Anr., </i></b> 2007 SCC OnLine <br /> SC 1513. <br /> 24.3 The Plaintiff has a registered copyright over the Literary Work <br /> highlighting the original expression of Plaintiff’s Work. Therefore, the <br /> Defendants cannot infringe the copyright in the Literary Work in the <br /> Plaintiff’s Work. <br /> 24.4 It is settled law that reproduction or adoption of the registered <br /> copyright in literary work in any material form or any substantial part <br /> thereof, would amount to infringement of copyright. When an idea allows <br /> for various expressions, each unique expression can be protected. An <br /> infringement is not confined to an exact repletion or reproduction, but also <br /> includes various modes in which the matter of any work may be adopted, <br /> imitated, transferred or reproduced with colourable alterations to disguise <br /> the piracy. Further, infringement of a literary work need not necessarily be <br /> through a literary work alone, rather any adoption of literary work in any <br /> form or manner or reproduction of work in any material form is enough to <br /> establish such an infringement. The test is whether the accused work is so <br /> similar to the plaintiff’s work that an ordinary reasonable person would <br /> conclude that defendant unlawfully appropriated the plaintiff’s protectable <br /> expression by taking material of substance and value as held in <b><i>Atari Inc. & </i></b><br /> <b><i>Anr. v. North American Phillips Consumer Electronics Corp., </i></b> 672 F. 2d <br /> 607-1982 (United States-Court of Appeals for Seventh Circuit). <b><i> </i></b> <br /> <i> </i><br /> <i>CS(COMM) 700/2024 </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> Page 15 of 45</i><br /> <br /> Signature Not Verified<br /> Signed By:SWATI<br /> MAYEE SAHU<br /> Signing Date:11.04.2026<br /> 21:29:05<br /><br /> <br /> <b> </b><br /> 24.5 It is held by the Courts that if the idea is worked out in some detail <br /> and the expression of that idea is reproduced, then the same amounts to <br /> infringement. In the present case, it is not the idea but the detail expression <br /> of the idea that has been copied by the Defendants. The form of expression <br /> of a literary work does not mean only the text in which that work is written, <br /> however, it may also include the selection and arrangement in a particular <br /> order of incidents, whether factual or fictional as held in <b><i>Urmi Juvekar </i></b><br /> <b><i>Chiang v. Global Broadcast News Ltd. & Anr., </i></b> 2007 SCC OnLine Bom <br /> 471. <br /> 24.6 The Impugned Work has infringed the Plaintiff’s copyrighted Work by <br /> use of Impugned Sheet during the tournament “IGPL FLASH GOLF / <br /> SMASH FORMAT” held on 28.06.2024 at Chandigarh. <br /> 24.7 The Defendants have committed breach of confidence as the Plaintiff <br /> shared the details of his Work, including the format and rules over e-mail <br /> dated 17.02.2021 with Defendant No. 6 under confidence. Defendant No. 6 <br /> had complete access to all details of the Plaintiff’s Work which was leaked <br /> to all the other Defendants in complete breach of confidence. <br /> 24.8 It is settled law that breach of confidence in a concept or idea entitles <br /> grant of injunction as held in <b><i>Anil Gupta & Anr. v. Kunal Dasgupta, </i></b> 2002 <br /> SCC OnLine Del 250 <b><i>, Urmi Juvekar Chiang </i></b> ( <i>supra)</i> and <b><i>Zee Telefilms Ltd. </i></b><br /> <b><i>v. Sundial Communications Pvt. Ltd. & Ors., </i></b> 2003 SCC OnLine Bom 344. <br /> 24.9 Accordingly, the Plaintiff is entitled to interim injunction restraining <br /> the Defendants from infringing the Plaintiff’s exclusive copyright in respect <br /> of the Literary Work without any valid license from the Plaintiff. <br /> <br /> <i> </i><br /> <i>CS(COMM) 700/2024 </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> Page 16 of 45</i><br /> <br /> Signature Not Verified<br /> Signed By:SWATI<br /> MAYEE SAHU<br /> Signing Date:11.04.2026<br /> 21:29:05<br /><br /> <br /> <b> </b><br /> <b>SUBMISSIONS</b> <b> </b> <b>ON</b> <b> </b> <b>BEHALF</b> <b> </b> <b>OF</b> <b> </b> <b>THE</b> <b> </b> <b>DEFENDANTS: </b><br /> 25. Learned Senior Counsel for the Defendants submitted that: <br /> 25.1 It is a settled position of law and an essential element of Copyright <br /> Law that it does not grant the author of a literary work protection on <br /> ‘ideas’ and ‘facts’. It is only the creative expression of such ideas and <br /> facts that is rewarded by law by conferring privilege to exclusively <br /> exploit such expression for a limited time. <br /> 25.2 In the present case, the alleged ‘artistic work’ on which the Plaintiff <br /> claims proprietary right over a particular format / rules of the popular <br /> game of Golf is barred by law and is in teeth of the ‘doctrine of <br /> merger’, which postulates that where the idea and expression are <br /> inextricably connected, it would not be possible to distinguish <br /> between the two. <br /> 25.3 In <b><i>R.G. Anand v. Delux Films </i></b> (1978) 4 SCC 118, it is held that: <br /> “ <i>45. Thus, the position appears to be that an idea, principle, </i><br /> <i>theme, or subject-matter or historical or legendary facts being </i><br /> <i>common property cannot be the subject-matter of copyright of a </i><br /> <i>particular person. It is always open to any person to choose an idea </i><br /> <i>as a subject-matter and develop it in his own manner and give </i><br /> <i>expression to the idea by treating it differently from others. Where </i><br /> <i>two writers write on the same subject similarities are bound to occur </i><br /> <i>because the central idea of both are the same but the similarities or </i><br /> <i>coincidences by themselves cannot lead to an irresistible inference </i><br /> <i>of plagiarism or piracy. Take for instance the great poet and </i><br /> <i>dramatist Shakespeare most of whose plays are based on Greek-</i><br /> <i>Roman and British mythology or legendary stories like Merchant of </i><br /> <i>Venice, Hamlet, Romeo and Juliet, Julius Ceasar etc. But the </i><br /> <i>treatment of the subject by Shakespeare in each of his dramas is so </i><br /> <i>fresh, so different, so full of poetic exuberance elegance and </i><br /> <i>erudition and so novel in character as a result of which the end </i><br /> <i>product becomes an original in itself. In fact, the power and passion </i><br /> <i> </i><br /> <i>CS(COMM) 700/2024 </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> Page 17 of 45</i><br /> <br /> Signature Not Verified<br /> Signed By:SWATI<br /> MAYEE SAHU<br /> Signing Date:11.04.2026<br /> 21:29:05<br /><br /> <br /> <b> </b><br /> <i>of his expression, the uniqueness, eloquence and excellence of his </i><br /> <i>style and pathos and bathos of the dramas become peculiar to </i><br /> <i>Shakespeare and leaves precious little of the original theme adopted </i><br /> <i>by him. It will thus be preposterous to level a charge of plagiarism </i><br /> <i>against the great playwright. In fact, throughout his original </i><br /> <i>thinking, ability and incessant labour Shakespeare has converted an </i><br /> <i>old idea into a new one, so that each of his dramas constitute a </i><br /> <i>masterpiece of English literature. It has been rightly said that </i><br /> <i>“every drama of Shakespeare is an extended metaphor”. Thus, the </i><br /> <i>fundamental fact which has to be determined where a charge of </i><br /> <i>violation of the copyright is made by the plaintiff against the </i><br /> <i>defendant is to determine whether or not the defendant not only </i><br /> <i>adopted the idea of the copyrighted work but has also adopted the </i><br /> <i>manner, arrangement, situation to situation, scene to scene with </i><br /> <i>minor changes or super additions or embellishment here and there. </i><br /> <i>Indeed, if on a perusal of the copyrighted work the defendant's work </i><br /> <i>appears to be a transparent rephrasing or a copy of a substantial </i><br /> <i>and material part of the original, the charge of plagiarism must </i><br /> <i>stand proved. Care however must be taken to see whether the </i><br /> <i>defendant has merely disguised piracy or has actually reproduced </i><br /> <i>the original in different form, different tone, different tenor so as to </i><br /> <i>infuse a new life into the idea of the copyrighted work adapted by </i><br /> <i>him. In the latter case there is no violation of the copyright. </i><br /> <i>46. </i> <i>Thus, on a careful consideration and elucidation of the </i><br /> <i>various authorities and the case law on the subject discussed above, </i><br /> <i>the following propositions emerge: </i><br /> <i>1. There can be no copyright in an idea, subject-matter, </i><br /> <i>themes, plots or historical or legendary facts and violation of </i><br /> <i>the copyright in such cases is confined to the form, manner and </i><br /> <i>arrangement and expression of the idea by the author of the </i><br /> <i>copyrighted work. </i><br /> <i>2. Where the same idea is being developed in a different </i><br /> <i>manner, it is manifest that the source being common, </i><br /> <i>similarities are bound to occur. In such a case the courts </i><br /> <i>should determine whether or not the similarities are on </i><br /> <i>fundamental or substantial aspects of the mode of expression </i><br /> <i>adopted in the copyrighted work. If the defendant's work is </i><br /> <i>nothing but a literal imitation of the copyrighted work with </i><br /> <i>some variations here and there it would amount to violation of </i><br /> <i>the copyright. In other words, in order to be actionable the </i><br /> <i>copy must be a substantial and material one which at once </i><br /> <i> </i><br /> <i>CS(COMM) 700/2024 </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> Page 18 of 45</i><br /> <br /> Signature Not Verified<br /> Signed By:SWATI<br /> MAYEE SAHU<br /> Signing Date:11.04.2026<br /> 21:29:05<br /><br /> <br /> <b> </b><br /> <i>leads to the conclusion that the defendant is guilty of an act of </i><br /> <i>piracy. </i><br /> <i>3. One of the surest and the safest test to determine whether or </i><br /> <i>not there has been a violation of copyright is to see if the </i><br /> <i>reader, spectator or the viewer after having read or seen both </i><br /> <i>the works is clearly of the opinion and gets an unmistakable </i><br /> <i>impression that the subsequent work appears to be a copy of </i><br /> <i>the original. </i><br /> <i>4. Where the theme is the same but is presented and treated </i><br /> <i>differently so that the subsequent work becomes a completely </i><br /> <i>new work, no question of violation of copyright arises. </i><br /> <i>5. Where however apart from the similarities appearing in the </i><br /> <i>two works there are also material and broad dissimilarities </i><br /> <i>which negative the intention to copy the original and the </i><br /> <i>coincidences appearing in the two works are clearly incidental </i><br /> <i>no infringement of the copyright comes into existence. </i><br /> <i>6. As a violation of copyright amounts to an act of piracy it </i><br /> <i>must be proved by clear and cogent evidence after applying the </i><br /> <i>various tests laid down by the case-law discussed above. </i><br /> <i>7. Where however the question is of the violation of the </i><br /> <i>copyright of stage play by a film producer or a director the </i><br /> <i>task of the plaintiff becomes more difficult to prove piracy. It is </i><br /> <i>manifest that unlike a stage play a film has a much broader </i><br /> <i>prospective, wider field and a bigger background where the </i><br /> <i>defendants can by introducing a variety of incidents give a </i><br /> <i>colour and complexion different from the manner in which the </i><br /> <i>copyrighted work has expressed the idea. Even so, if the viewer </i><br /> <i>after seeing the film gets atotality of impression that the film is </i><br /> <i>by and large a copy of the original play, violation of the </i><br /> <i>copyright may be said to be proved.</i> ” <br /> 25.4 In <b><i>Sanjay Kumar Gupta & Anr. v. Sony Pictures Networks India Pvt. </i></b><br /> <b><i>Ltd.,</i></b> (2018) SCC OnLine Del 10476, it is held that a concept cannot <br /> be a subject matter of copyright because a concept has to be brought <br /> into the form of a literary work or dramatic work or musical work or <br /> artistic work or cinematographic work or sound recording or a <br /> <i> </i><br /> <i>CS(COMM) 700/2024 </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> Page 19 of 45</i><br /> <br /> Signature Not Verified<br /> Signed By:SWATI<br /> MAYEE SAHU<br /> Signing Date:11.04.2026<br /> 21:29:05<br /><br /> <br /> <b> </b><br /> performance / performer’s right or live show only where-after there <br /> will exists a copyright in the work. <br /> 25.5 In view of the above, an idea, principle, theme or subject matter or <br /> historical or legendary fact being common property cannot be subject <br /> matter of copyright of a particular person. It is always open to any <br /> person to choose an idea as subject matter and develop it in his own <br /> manner and give expression to the idea by treating it different from <br /> others. <br /> 25.6 The Courts have applied the ‘Doctrine of Merger’ to the facts and <br /> circumstances where a party has claimed copyright over ‘abstracts <br /> rules and play ideas’ of an already existing sport / game and have <br /> refused to grant protection to the same. <br /> 25.7 In <b><i>Mattel, Inc. & Ors. v. Mr. Jayant Agarwalla & Ors.</i></b> , ILR (2009) II <br /> Delhi 193, it is held that: <br /> “ <i>21. An essential element of copyright law is that it does not grant </i><br /> <i>the author of a literary work protection on ideas and facts. </i><br /> <i>(Baker v. Seldon, 101 US 99 [1879], Nichols v. Universal Pictures </i><br /> <i>Corp., 45 F.2d (2d Cir. 1930), RG Anand v. Delux Films, (1978) 4 </i><br /> <i>SCC 118) It is only the creative expression of such ideas and facts </i><br /> <i>that is rewarded by law, by conferring a privilege to exclusively </i><br /> <i>exploit such expression for a limited time. Law does not protect </i><br /> <i>every such expression. The issue in Baker was whether the </i><br /> <i>defendant's publication of a book on ‘book-keeping’ articulating a </i><br /> <i>similar manner of book keeping as was done in the plaintiffs book </i><br /> <i>amounted to infringement. Severing the expression of the idea of </i><br /> <i>book keeping from the very science of boo keeping the Court held as </i><br /> <i>follows: </i><br /> <i>“On the other hand, the teachings of science and the </i><br /> <i>rules and methods of useful art have their final end in </i><br /> <i>application and use; and this application and use are </i><br /> <i>what the public derive from the publication of a book </i><br /> <i> </i><br /> <i>CS(COMM) 700/2024 </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> Page 20 of 45</i><br /> <br /> Signature Not Verified<br /> Signed By:SWATI<br /> MAYEE SAHU<br /> Signing Date:11.04.2026<br /> 21:29:05<br /><br /> <br /> <b> </b><br /> <i>which teaches them. But as embodied and taught in a </i><br /> <i>literary composition or book, their essence consists </i><br /> <i>only in their statement. This alone is what is secured </i><br /> <i>by the copyright. The use by another of the same </i><br /> <i>methods </i> <i>of </i> <i>statement, </i> <i>whether </i> <i>in </i> <i>words </i> <i>or </i><br /> <i>illustrations, in a book published for teaching the art, </i><br /> <i>would undoubtedly be an infringement of the </i><br /> <i>copyright. </i><br /> <i>The description of the art in a book, though entitled to </i><br /> <i>the benefit of copyright, lays no foundation for an </i><br /> <i>exclusive claim to the art itself. The object of the one is </i><br /> <i>explanation; the object of the other is use. The former </i><br /> <i>may be secured by copyright. The latter can only be </i><br /> <i>secured, if it can be secured at all, by letters-patent. </i><br /> <i>The novelty of the art or thing described or explained </i><br /> <i>has nothing to do with the validity of the copyright. To </i><br /> <i>give to the author of the book an exclusive property in </i><br /> <i>the art described therein, when no examination of its </i><br /> <i>novelty has ever been officially made, would be a </i><br /> <i>surprise and a fraud upon the public. That is the </i><br /> <i>province of letters-patent, not of copyright.” </i><br /> <i>22. </i> <i>In the realm of copyright law the doctrine of merger </i><br /> <i>postulates that were the idea and expression are inextricably </i><br /> <i>connected, it would not possible to distinguish between two. In other </i><br /> <i>words, the expression should be such that it is the idea, and vice-</i><br /> <i>versa, resulting in an inseparable “merger” of the two. Applying </i><br /> <i>this doctrine courts have refused to protect (through copyright) the </i><br /> <i>expression of an idea, which can be expressed only in a very limited </i><br /> <i>manner, because doing so would confer monopoly on the ides itself. </i><br /> <i>The </i> <i>decision </i> <i>in Herbert </i> <i>Rosenthal </i> <i>Jewelry </i><br /> <i>Corporation v. Kalpakian, 446 F.2d 738 (1971) is illustrative in this </i><br /> <i>regard. The plaintiffs there sued the defendants asking them to </i><br /> <i>refrain from manufacturing bee shaped jewel pins. The Court held </i><br /> <i>that the jewel shaped bee pin was an idea that anyone was free to </i><br /> <i>copy, the expression of which could be possible only in a few ways; </i><br /> <i>therefore, no copyright could subsist in it. In Nichols, Judge </i><br /> <i>Learned Hand spoke about the famous “abstractions” test which the </i><br /> <i>courts must follow, when confronted with the idea/expression </i><br /> <i>dichotomy: </i><br /> <i>“Upon any work, and especially upon a play, a great </i><br /> <i>number of patterns of increasing generality will fit </i><br /> <i> </i><br /> <i>CS(COMM) 700/2024 </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> Page 21 of 45</i><br /> <br /> Signature Not Verified<br /> Signed By:SWATI<br /> MAYEE SAHU<br /> Signing Date:11.04.2026<br /> 21:29:05<br /><br /> <br /> <b> </b><br /> <i>equally well, as more and more of the incident is left </i><br /> <i>out. The last may perhaps be no more than the most </i><br /> <i>general statement of what the play is about, and at </i><br /> <i>times might consist only of its title; but there is a point </i><br /> <i>in this series of abstractions where they are no longer </i><br /> <i>protected, since otherwise the playwright could </i><br /> <i>prevent the use of his “ideas,” to which, apart from </i><br /> <i>their </i> <i>expression, </i> <i>his </i> <i>property </i> <i>is </i> <i>never </i><br /> <i>extended. Holmes v. Hurst, 174 U.S. 82, 86, 19 S. Ct. </i><br /> <i>606, 43 L. Ed. 904; Guthrie v. Curlett, 36 F.(2d) 694 </i><br /> <i>(CCA. 2).” </i><br /> <i>23. </i> <i>The case of </i> <b><i>Allen v. Academic Games League of Am., 89</i></b> <i> </i><br /> <i>F.3d 614 (9th Cir. 1996) is worth noticing at this stage. The plaintiff </i><br /> <i>in that case contended that the rule books published by the </i><br /> <i>defendants to play the games developed by the him, violated his </i><br /> <i>copyright over the tournament rulebooks developed by him. The </i><br /> <i>court rejected the plaintiffs claim and held that: </i><br /> <i>“A copyright only protects a particular expression of </i><br /> <i>an idea and not the idea itself </i> <b><i>Mazer v. Stein,</i></b> <i> 347 U.S. </i><br /> <i>201, 218 (1954). Thus, ideas contained in a </i><br /> <i>copyrighted work may be freely used so long as the </i><br /> <i>copyrighted expression is not wholly appropriated. </i><br /> <i>This is often the case with factual works where an idea </i><br /> <i>contained iri an expression cannot be communicated </i><br /> <i>in a wide variety of ways</i> <b><i>. Landsberg v. Scrabble </i></b><br /> <b><i>Crossword Game Players, Inc.,</i></b> <i> 736 F.2d 485, 488 </i><br /> <i>(9th Cir. 1984), cert, denied, 469 U.S. 103 7 (1984). </i><br /> <i>Consequently, the notions of idea and expression may </i><br /> <i>merge from such “stock” coacepts that even verbatim </i><br /> <i>reproduction of a factual work may not constitute </i><br /> <i>infringement. </i> <b><i>Accord See v. Durang</i></b> <i>, 711 F.2d 141, </i><br /> <i>143 (9th Cir. 1983); </i> <b><i>Sid & Marty Krofft Television </i></b><br /> <b><i>Productions, Inc. v. McDonald's Corp.</i></b> <i>, 562 F.2d 11 </i><br /> <i>57, 1163 (9th Cir. 1977); </i> <b><i>Aliotti v. R. Dakin & Co.,</i></b> <i> </i><br /> <i>831 F.2d 898, 901 (9th Cir. 1987). </i><br /> <i>This doctrine of merger is particularly applicable with </i><br /> <i>respect to games “since they consist of abstract rules </i><br /> <i>and play ideas.” </i> <b><i>Midway Mfg. Co. v. Bandai-</i></b><br /> <b><i>America</i></b> <i>, Inc., 546 F.Supp. 125, 148 (D.N.J. 1982); </i><br /> <i>see also </i> <b><i>Anti-Monopoly, Inc. v. General Mills Fun </i></b><br /> <b><i>Group</i></b> <i>, 611 F.2d 296, 300 n.l. (9th Cir. 1979). A </i><br /> <i> </i><br /> <i>CS(COMM) 700/2024 </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> Page 22 of 45</i><br /> <br /> Signature Not Verified<br /> Signed By:SWATI<br /> MAYEE SAHU<br /> Signing Date:11.04.2026<br /> 21:29:05<br /><br /> <br /> <b> </b><br /> <i>similar logic has been applied to rules of a contest </i><br /> <i>where most subsequent expressions of an idea of a rule </i><br /> <i>are likely to appear similar to the words of a related </i><br /> <i>rule. See </i> <b><i>Morrissev v. Proctor & Gamble Co.,</i></b> <i> 379 </i><br /> <i>F.2d 675, 678-79 (1st Cir. 1967); </i> <b><i>Affiliated Hospital </i></b><br /> <b><i>Products, Inc. v. Merdel Game Mfg. Co.,</i></b> <i> 513 F.2d </i><br /> <i>1183, 1188-89 (2nd Cir. 1975). Here, Allen has not </i><br /> <i>shown that it is possible to distinguish the expression </i><br /> <i>of the rules of his game manuals from the idea of the </i><br /> <i>rules themselves. Thus, the doctrine of merger applies </i><br /> <i>and although Allen may be entitled to copyright </i><br /> <i>protection for the physical form of his games, he is not </i><br /> <i>afforded protection for the premises or ideas </i><br /> <i>underlying those games. To hold otherwise would give </i><br /> <i>Allen a monopoly on such commonplace ideas as a </i><br /> <i>simple rule on how youngsters should play their </i><br /> <i>games.” </i> <i> </i> <i> </i> <i> </i> <i>(emphasis supplied) </i><br /> <i>24. </i> <i>The doctrine of merger was also applied in </i> <b><i>Atari </i></b><br /> <b><i>Inc v. North American Philips Consumer Electronics Corp</i></b> <i>, 672 </i><br /> <i>F.2d 607, (1982 US App. LEXIS 21341) to deny wider protection to </i><br /> <i>elements in the video games. The US Court of Appeals (Seventh </i><br /> <i>Circuit), speaking through a panel of three judges, said: </i><br /> <i>“…copyright protection does not extend to games as </i><br /> <i>such. Chamberlin v. Uris Sales Corp, 150 F.2d. 512 </i><br /> <i>(2d. </i> <i>Cir. </i> <i>1945); </i> <i>see </i> <i>also Anti-Monopoly, </i><br /> <i>Inc. v. General Mills Fun Group, 611 F. 2d. 296, 300 </i><br /> <i>n. 1 (9th Cir. 1979)…” </i><br /> <i>The above formulation is not meant to foreclose copyright </i><br /> <i>protection to all games; indeed, there can be certain distinctive </i><br /> <i>elements, or patterns, innovated or created by its author, which, </i><br /> <i>though intrinsic to the game, can claim independent copyright </i><br /> <i>protection. </i><br /> <i>25. </i> <i>In India, in relation to games, rules and schemes (for </i><br /> <i>playing) are not protectable under the Patents Act, 1970; they are </i><br /> <i>not deemed inventions under the Act. Section 3 of the Patents Act, </i><br /> <i>provides as follows: </i><br /> <i> </i><br /> <i>“3. WHAT ARE NOT INVENTIONS. </i><br /> <i>The following are not inventions within the meaning of </i><br /> <i> </i><br /> <i>CS(COMM) 700/2024 </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> Page 23 of 45</i><br /> <br /> Signature Not Verified<br /> Signed By:SWATI<br /> MAYEE SAHU<br /> Signing Date:11.04.2026<br /> 21:29:05<br /><br /> <br /> <b> </b><br /> <i>this Act,— </i><br /> <i>xxxxxxxx xxxxxxxx xxxxxxxx </i><br /> <i>(m) a mere scheme or rule or method of performing </i><br /> <i>mental act or method of playing game;…” </i><br /> <i>An untenable patent claim-as rules of a game are-cannot </i><br /> <i>transmigurate into a wider, longer lasting copyrightable expression. </i><br /> <i>Such rules, in the absence of clear segregation of the expression </i><br /> <i>from the idea, cannot be granted copyright protection. The </i><br /> <i>expression, in this case is the idea itself. </i><br /> <i>26. </i> <i>The plaintiffs' claim to copyright is in respect of the three </i><br /> <i>game-boards, with the diagonal criss-cross design with placement of </i><br /> <i>the double word, triple word, double and triple letter values, as well </i><br /> <i>as rules of the game. Every literary or artistic work, to be afforded </i><br /> <i>protection, should be “original” under the Act. The content of what </i><br /> <i>is ‘original’ has undergone considerable change from the previously </i><br /> <i>applicable “sweat of the brow' doctrine spelt out in </i> <b><i>University of </i></b><br /> <b><i>London Press</i></b> <i> (supra) to the ‘modicum of creativity’ standard put </i><br /> <i>forth in </i> <b><i>Fiest Publication Inc. v. Rural Telephone Service</i></b> <i>, 199 US </i><br /> <i>340 (1991). Our Supreme Court has also signified a shift; </i><br /> <i>in </i> <b><i>Eastern Book Company v. DB Modak</i></b> <i>, (2008) 1 SCC 1, following </i><br /> <i>the approach of the Canadian Supreme Court in </i> <b><i>CCH Canadian </i></b><br /> <b><i>Ltd. v. Law Society of Upper Canada</i></b> <i>, (2004) 9 SCC 13, it rejected </i><br /> <i>the sweat of the brow doctrine, (which conferred copyright on works </i><br /> <i>merely because time, energy, skill and labour was expended, that is, </i><br /> <i>originality of skill and labour), and held that the work must be </i><br /> <i>original “in the sense that by virtue of selection, co-ordination or </i><br /> <i>arrangement of pre-existing data contained in the work, a work </i><br /> <i>somewhat different in character is produced by the author”. Our </i><br /> <i>Supreme Court noticed that the two positions i.e. the sweat of the </i><br /> <i>brow on the one hand, and “modicum of creativity”-were extreme; it </i><br /> <i>preferred a higher threshold than the doctrine of “sweat of the </i><br /> <i>brow” yet, not as high as “modicum of creativity”. Thus, our law </i><br /> <i>too has recognized the shift, and mandates that not every effort or </i><br /> <i>industry, or expending of skill, results in copyrightable work, but </i><br /> <i>only those which create works that are somewhat different in </i><br /> <i>character, involve some intellectual effort, and involve a certain </i><br /> <i>degree of creativity. This standard of originality, is now applicable </i><br /> <i>in respect of the plaintiffs' claim to copyright in various aspects of </i><br /> <i>the game. </i><br /> <i>27. </i> <i>So far as the collocation of lines on the game board are </i><br /> <i> </i><br /> <i>CS(COMM) 700/2024 </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> Page 24 of 45</i><br /> <br /> Signature Not Verified<br /> Signed By:SWATI<br /> MAYEE SAHU<br /> Signing Date:11.04.2026<br /> 21:29:05<br /><br /> <br /> <b> </b><br /> <i>concerned; the diagonal colour scheme with values for words, and </i><br /> <i>the combination thereof, the element of modicum of creativity has </i><br /> <i>not been shown, to measure up to the test of “originality”, </i><br /> <i>post Eastern </i> <i>Book </i> <i>Company. Even </i> <i>otherwise, </i> <i>the </i> <i>creative </i><br /> <i>expression, if any is minimalistic not to warrant copyright </i><br /> <i>protection. Furthermore, and most importantly, the application of </i><br /> <i>the doctrine of merger would mean that the colour scheme on such a </i><br /> <i>board can be expressed only in a limited number of ways; if the </i><br /> <i>plaintiffs' arrangement were to be avoided, it is not known whether </i><br /> <i>the idea of such a word game could be played at all. Similarly, the </i><br /> <i>reasoning in Allen and Atari, as far as copyrightability of rules of a </i><br /> <i>game are concerned apply squarely, in this case. This doctrine of </i><br /> <i>merger is applicable with respect to games as (according to those </i><br /> <i>decisions) “they consist of abstract rules and play ideas.” By way of </i><br /> <i>illustration, the arrangement of colours, values on the board, the </i><br /> <i>collocation of lines, value for individual alphabetical tiles, etc have </i><br /> <i>no intrinsic meaning, but for the rules. If these rules-which form the </i><br /> <i>only method of expressing the underlying idea are to be subject to </i><br /> <i>copyright, the idea in the game would be given monopoly: a result </i><br /> <i>not intended by the lawmakers, who only wanted expression of ideas </i><br /> <i>to be protected. Thus, this court concludes, prima facie, that the </i><br /> <i>copyright claim of the plaintiff cannot be granted.</i> ” <br /> 25.8 In <b><i>Hulm Entertainment Pvt. Ltd. & Ors. v. Fantasy Sports Myfab11 </i></b><br /> <b><i>Pvt. Ltd. & Ors.</i></b> <i>,</i> <b><i> </i></b> 2023 SCC OnLine Del 6591, this Court relying on <b><i>Mattel, </i></b><br /> <b><i>Inc. </i></b> (supra) observed that where the idea and expression are inexplicably <br /> linked or connected, it would not be possible to distinguish between the two <br /> and the expression should be such that it is the idea and vice-a-versa, <br /> resulting in an inseparable merger of the two. <br /> 25.9 In <b><i>Samir Kansal v. Prashant Mehta & Ors.</i></b> , <b><i> </i></b> 2022 SCC OnLine Del <br /> 184, this Court relying on <b><i>R.G. Anand</i></b> ( <i>supra</i> ) held that no one can claim <br /> copyright on the ‘game of cricket’ or its evaluation into different formats. It <br /> was observed in the said decision that several permutations and <br /> combinations in the format of playing the ‘game of cricket’ have been <br /> evolved over a period of centuries, therefore, it is reasonable that there can <br /> <i> </i><br /> <i>CS(COMM) 700/2024 </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> Page 25 of 45</i><br /> <br /> Signature Not Verified<br /> Signed By:SWATI<br /> MAYEE SAHU<br /> Signing Date:11.04.2026<br /> 21:29:05<br /><br /> <br /> <b> </b><br /> also be no copyright in the evolution of cricket over a period of time from a <br /> ‘5-Day Test Match Series’ to ‘T-20 Matches / One-Dayers’. <br /> 25.10 In view of the above settled position of law, the Plaintiff cannot claim <br /> any proprietary right over a Format/Rules of Play of the already existing and <br /> popular game of Golf. The sport of Golf is governed by the R&A group of <br /> companies and United States Golf Associations (USGA). The USGA <br /> exercises jurisdiction over United States and Mexico, whereas R&A <br /> exercises jurisdiction in the remaining part of the world. <br /> 25.11 Apart from the traditional manner in which the Golf is played with <br /> Single Player competing against the other Single Player(s) to get the best <br /> score, it is also played in various other well-recognized formats and with <br /> different Rules of Play. The Rules of Golf are published by R&A and Rule <br /> 22 of the R&A Rules provide for a popular format of Golf known as <br /> ‘Alternate Shot’, in which golfers compete in teams of two, using only one <br /> ball per team, and taking alternate shots until the hole is completed. The said <br /> format has been played in popular golf competitions such as Rider Cup, <br /> Solheim Cup and Presidents Cup. Since 2000, this format has been used <br /> with alternating rounds of Four-Ball by the world cup of Golf and since <br /> 2017, by Zurich Classic on the PGA Tour. <br /> 25.12 In the present case, the Defendants have adopted the format of <br /> ‘Alternate Golf’ with minor variations i.e. (i) it involves four players in one <br /> team rather than conventional two members team in case of ‘Alternate <br /> Golf’; and, (ii) game is played on one hole using floating / mobile tee offs <br /> (starting point of a hole) and revolving leg positions (where the hole ends). <br /> <i> </i><br /> <i>CS(COMM) 700/2024 </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> Page 26 of 45</i><br /> <br /> Signature Not Verified<br /> Signed By:SWATI<br /> MAYEE SAHU<br /> Signing Date:11.04.2026<br /> 21:29:05<br /><br /> <br /> <b> </b><br /> Thus, adoption of renowned format of ‘Alternate Golf’ by Defendants can in <br /> no manner be construed to be copyright infringement. <br /> 25.13 Even otherwise, the exact format over which the Plaintiff claims <br /> copyright has been played widely all over the world and many of such <br /> events / games have been held even prior to the alleged conceptualization of <br /> the Plaintiff’s original work. <br /> 25.14 The reliance on <b><i>Eastern Book Company </i></b> ( <i>supra</i> ) by the Plaintiff is <br /> misplaced as the Plaintiff cannot claim copyright over a non-copyrightable <br /> subject matter, i.e., sports formats. The said judgment exclusively deals with <br /> the copyrightability of editorial inputs added to judicial decisions. However, <br /> the Plaintiff asserts copyright over a sport format and gave mechanics, <br /> which are rules of play emanating from the pre-existing game of Golf and <br /> such rules do not constitute literary expression and, therefore, fall squarely <br /> outside the scope of copyright protection. <br /> 25.15 The reliance placed on <b><i>Urmi Juvekar </i></b> ( <i>supra</i> ) is misplaced as the <br /> nature of the copyrightable work recognized in that case was different from <br /> the Plaintiff’s alleged work as the Plaintiff cannot claim copyright over <br /> scoring rules, game play mechanics of a Golf format, which are merely <br /> methods of play and excluded from protection under the idea / expression <br /> dichotomy and the ‘Doctrine of Merger’. <br /> 25.16 Further, the decision in <b><i>Atari </i></b> ( <i>supra</i> ) concerned copyright <br /> infringement of an audio-visual video game, its visual displays, graphical <br /> characters etc., whereas the Plaintiff has sought protection for the rules, <br /> mechanics and game play of a Golf format. <br /> <i> </i><br /> <i>CS(COMM) 700/2024 </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> Page 27 of 45</i><br /> <br /> Signature Not Verified<br /> Signed By:SWATI<br /> MAYEE SAHU<br /> Signing Date:11.04.2026<br /> 21:29:05<br /><br /> <br /> <b> </b><br /> 25.17 The allegation of the Plaintiff regarding breach of confidentiality, the <br /> Plaintiff himself had admittedly conducted “THE SMASH LEAGUE” <br /> tournament at Chandigarh in February 2020, wherein the game play <br /> mechanics were openly implemented, demonstrated and necessarily <br /> disclosed to all participants and spectators. Therefore, any claim by the <br /> Plaintiff that such rules constituted secret, protectable material is <br /> incompatible with the Plaintiff’s deliberate and voluntarily decision to <br /> publicly stage the tournament without any confidentiality agreement or <br /> obligations or restrictions being imposed. The Plaintiff’s own disclosures <br /> place the alleged format squarely in the public domain, eliminating any <br /> foundation for claims of confidentiality, originality or exclusive rights. <br /> Further, there was no confidential relationship or any confidentiality <br /> agreement between the Plaintiff and the Defendants. The Plaintiff <br /> voluntarily circulated his alleged Work to players, coaches and third parties <br /> without any confidentiality protections. Therefore, the Plaintiff’s reliance on <br /> <b><i>Zee Telefilms Ltd. </i></b> ( <i>supra</i> ) and <b><i>Anil Gupta </i></b> ( <i>supra</i> ) is misplaced. <br /> 25.18 In view of the above, the interim injunction sought by the Plaintiff be <br /> rejected as the Plaintiff is not entitled to copyright protection for the rules, <br /> mechanics and game play of a golf format since copyright cannot subsist in <br /> a sports format. <br /> <b>REJOINDER SUBMISSIONS ON BEHALF OF THE PLAINTIFF </b><br /> 26. Learned Senior Counsel for the Plaintiff submitted that: <br /> 26.1 The Defendants have admitted that several permutations and <br /> combinations in format for playing the game of golf exist and have been <br /> evolved over a period of time. The Defendants have further admitted that the <br /> <i> </i><br /> <i>CS(COMM) 700/2024 </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> Page 28 of 45</i><br /> <br /> Signature Not Verified<br /> Signed By:SWATI<br /> MAYEE SAHU<br /> Signing Date:11.04.2026<br /> 21:29:05<br /><br /> <br /> <b> </b><br /> Plaintiff’s “SHOT SQUAD LEAGUE” and Defendants “IGPL Invitational <br /> Golf 2024 Tournament” are both expressions of the game of golf to be <br /> played in teams and there are numerous ways to structure golf competitions <br /> involving teams. <br /> 26.2 Even assuming that several permutations and combinations of the <br /> Rules / Formats offer playing the game of golf exists and having been <br /> evolved over a period of time, the Plaintiff’s Work has significant <br /> distinguishing elements making it an original work, which can be protected <br /> by copyright. It is settled law that expression of an idea is a subject pattern <br /> worthy of copyright. <br /> 26.3 The Plaintiff’s Work is not merely an idea or its expression is <br /> inextricably linked to the idea of golf. The Defendants have failed to show <br /> as to how Plaintiff’s Work is merely an idea. The Plaintiff has obtained the <br /> copyright registration for the original literary work titled as “SHOT SQUAD <br /> LEAGUE” bearing registration No.L-87301/2019, which is valid and <br /> subsisting. Further, the Plaintiff has officially launched and performed the <br /> Literary Work by conducting a competitive tournament for the first time on <br /> 02.03.2020 at Chandigarh where Defendant No.1 was an active participant. <br /> Therefore, the “SHOT SQUAD LEAGUE”/ “THE SMASH LEAGUE” is an <br /> original expression with an original team format that allows the players to <br /> score and perform within the scope and governance of the sport. <br /> 26.4 The Defendants have not denied that the Impugned Sheet, which was <br /> provided / shared during the tournament “IGPL FLASH GOLF / SMASH <br /> FORMAT” at Jaypee Greens Golf Course, Greater Noida on 28.06.2024, <br /> was a substantial reproduction of the Plaintiff’s registered Literary Work <br /> <i> </i><br /> <i>CS(COMM) 700/2024 </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> Page 29 of 45</i><br /> <br /> Signature Not Verified<br /> Signed By:SWATI<br /> MAYEE SAHU<br /> Signing Date:11.04.2026<br /> 21:29:05<br /><br /> <br /> <b> </b><br /> being “SHOT SQUAD LEAGUE”. Consequently, the Defendants have <br /> effectively admitted to be engaged in copyright infringement insofar as the <br /> Impugned Sheet is concerned. As per the comparison chart between the <br /> Plaintiff’s Work and the Impugned Sheet, it is clearly demonstrated that the <br /> details of Impugned Work provided in the Impugned Sheet is nothing but a <br /> glaring reproduction of the Plaintiff’s Literary Work, amounting to copyright <br /> infringement. <br /> <br /> 26.5 Various similar Golf formats relied upon by the Defendants are <br /> irrelevant as none of the formats exhibit the unique combinations of Game <br /> Mechanics / Game Play embodied in the Plaintiff’s original work being <br /> “SHOT SQUAD LEAGUE”. Mere existence of team-based variations in the <br /> game of Golf do not undermine or negate the originality of Plaintiff’s <br /> structured format, which includes novel and distinctive features and <br /> elements such as specific roles, specialized clubs used, defined drop zones <br /> etc., amounting to original expression of the Plaintiff’s Work. <br /> 26.6 Accordingly, the present Application be allowed and the interim <br /> injunction as prayed be granted. <br /> <b>ANALYSIS</b> <b> </b> <b>AND</b> <b> </b> <b>FINDINGS:</b> <br /> 27. In terms of the order dated 09.12.2025, the interim injunction sought <br /> in Paragraph 23(c) of this Application with regard to infringement of Mark <br /> “THE SMASH LEAGUE” / <br /> does not survive and, <br /> accordingly, this judgment only deals with the prayers regarding <br /> infringement of copyright. <br /> <i> </i><br /> <i>CS(COMM) 700/2024 </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> Page 30 of 45</i><br /> <br /> Signature Not Verified<br /> Signed By:SWATI<br /> MAYEE SAHU<br /> Signing Date:11.04.2026<br /> 21:29:05<br /><br /> <br /> <b> </b><br /> 28. The Plaintiff has sought protection of his copyright in the Plaintiff’s <br /> Work titled “SHOT SQUAD LEAGUE” having copyright registration dated <br /> 27.11.2019 bearing registration No. L-87301/2019. The copyrighted work <br /> of the Plaintiff is reproduced as under: <br /> <br /> <i> </i><br /> <i>CS(COMM) 700/2024 </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> Page 31 of 45</i><br /> <br /> Signature Not Verified<br /> Signed By:SWATI<br /> MAYEE SAHU<br /> Signing Date:11.04.2026<br /> 21:29:05<br /><br /> <br /> <b> </b><br /> <br /> <i> </i><br /> <i>CS(COMM) 700/2024 </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> Page 32 of 45</i><br /> <br /> Signature Not Verified<br /> Signed By:SWATI<br /> MAYEE SAHU<br /> Signing Date:11.04.2026<br /> 21:29:05<br /><br /> <br /> <b> </b><br /> <br /> <i> </i><br /> <i>CS(COMM) 700/2024 </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> Page 33 of 45</i><br /> <br /> Signature Not Verified<br /> Signed By:SWATI<br /> MAYEE SAHU<br /> Signing Date:11.04.2026<br /> 21:29:05<br /><br /> <br /> <b> </b><br /> <br /> <br /> <br /> <i> </i><br /> <i>CS(COMM) 700/2024 </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> Page 34 of 45</i><br /> <br /> Signature Not Verified<br /> Signed By:SWATI<br /> MAYEE SAHU<br /> Signing Date:11.04.2026<br /> 21:29:05<br /><br /> <br /> <b> </b><br /> 29. The Plaintiff has claimed that by using the Impugned Sheet at <br /> Impugned Work, the Defendants have committed the infringement of the <br /> copyright in Plaintiff’s Work. The Impugned Sheet is reproduced as under: <br /> <br /> <i> </i><br /> <i>CS(COMM) 700/2024 </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> Page 35 of 45</i><br /> <br /> Signature Not Verified<br /> Signed By:SWATI<br /> MAYEE SAHU<br /> Signing Date:11.04.2026<br /> 21:29:05<br /><br /> <br /> <b> </b><br /> <i> </i><br /> <i>CS(COMM) 700/2024 </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> Page 36 of 45</i><br /> <br /> Signature Not Verified<br /> Signed By:SWATI<br /> MAYEE SAHU<br /> Signing Date:11.04.2026<br /> 21:29:05<br /><br /> <br /> <b> </b><br /> 30. As per the comparison between the Plaintiff’s Work and Impugned <br /> Sheet, the following expressions in the Impugned Sheet are claimed by the <br /> Plaintiff to be a copy of the Plaintiff’s Literary Work: <br /> 30.1 <b>Provision of Team:</b> Impugned Sheet provides that the professional <br /> will play the IGPL Flash Golf Format as a ‘team’, whereas the Plaintiff’s <br /> Work provides that each team is a two, or more, member team. This shows <br /> that both the Impugned Work and the Plaintiff’s Work provide for team play. <br /> However, merely by providing a team play would not amount to <br /> infringement of copyright in Plaintiff’s Work as team play in game of golf is <br /> not an original idea that is expressed in the Plaintiff’s Work. In the Rules of <br /> R&A, the team play is provided in Rule 22 which is reproduced as under: <b> </b><br /> <b>“</b> <b><i>22 Foursomes (Also Known as Alternate Shot) </i></b><br /> <i>22.1 Overview of Foursomes </i><br /> <i>Foursomes (also known as Alternate Shot) is a form of play </i><br /> <i>involving partners (in either match play or stroke play) where two </i><br /> <i>partners compete as a side by playing one ball in alternating order </i><br /> <i>on each hole. </i><br /> <i>Rules 1-20 apply to this form of play (with the side playing one ball </i><br /> <i>being treated in the same way as the individual player is treated), as </i><br /> <i>modified by these specific Rules. </i><br /> <i>A variation of this is a form of match play known as Threesomes, </i><br /> <i>where an individual player competes against a side of two partners </i><br /> <i>who play alternating shots under these specific Rules. </i><br /> <i>22.2 Either Partner May Act for Side </i><br /> <i>As both partners compete as one side playing only one ball: </i><br /> <i>• Either partner may take any allowed action for the side </i><br /> <i>before the stroke is made, such as to mark the spot of the ball </i><br /> <i>and lift, replace, drop and place the ball, no matter which </i><br /> <i>partner’s turn it is to play next for the side. </i><br /> <i>• A partner and their caddie may help the other partner in any </i><br /> <i>way that the other partner’s caddie is allowed to help (such as </i><br /> <i>to give and be asked for advice and take the other actions </i><br /> <i> </i><br /> <i>CS(COMM) 700/2024 </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> Page 37 of 45</i><br /> <br /> Signature Not Verified<br /> Signed By:SWATI<br /> MAYEE SAHU<br /> Signing Date:11.04.2026<br /> 21:29:05<br /><br /> <br /> <b> </b><br /> <i>allowed under Rule 10), but must not give any help that the </i><br /> <i>other partner’s caddie is not allowed to give under the Rules. </i><br /> <i>• Any action taken or breach of the Rules by either partner or </i><br /> <i>either caddie applies to the side. </i><br /> <i>In stroke play, only one of the partners needs to certify the side’s </i><br /> <i>hole scores on the scorecard (see Rule 3.3b). </i><br /> <i>22.3 Side Must Alternate in Making Strokes </i><br /> <i>On each hole, the partners must make each stroke for the side in </i><br /> <i>alternating order: </i><br /> <i>• Partners must alternate the order in which they play first </i><br /> <i>from the teeing area of each hole. </i><br /> <i>• After the side's first stroke from the teeing area of a hole, the </i><br /> <i>partners must alternate strokes for the rest of the hole. </i><br /> <i>• If a stroke is cancelled, replayed or otherwise does not count </i><br /> <i>under any Rule (except when a stroke is made in the wrong </i><br /> <i>order in breach of this Rule), the same partner who made the </i><br /> <i>stroke must make the next stroke for the side. </i><br /> <i>• If the side decides to play a provisional ball, it must be </i><br /> <i>played by the partner whose turn it is to play the side's next </i><br /> <i>stroke. </i><br /> <i>Any penalty strokes for the side do not affect the partners' </i><br /> <i>alternating order of play. </i><br /> <i>Penalty for Making a Stroke in the Wrong Order in Breach of Rule </i><br /> <i>22.3: General Penalty. </i><br /> <i>In stroke play, the side must correct the mistake: </i><br /> <i>• The right partner must make a stroke from where the side </i><br /> <i>made the first stroke in the wrong order (see Rule 14.6). </i><br /> <i>• The stroke made in the wrong order and any more strokes </i><br /> <i>before the mistake is corrected (including strokes made and </i><br /> <i>any penalty strokes solely from playing that ball) do not count. </i><br /> <i>• If the side does not correct the mistake before making a </i><br /> <i>stroke to begin another hole or, for the last hole of the round, </i><br /> <i>before returning its scorecard, the side is disqualified. </i><br /> <i>22.4 Starting the Round </i><br /> <i>22.4a Partner to Play First </i><br /> <i> </i><br /> <i>CS(COMM) 700/2024 </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> Page 38 of 45</i><br /> <br /> Signature Not Verified<br /> Signed By:SWATI<br /> MAYEE SAHU<br /> Signing Date:11.04.2026<br /> 21:29:05<br /><br /> <br /> <b> </b><br /> <i>The side may choose which partner will play from the first </i><br /> <i>teeing area in starting the round, unless the Terms of the </i><br /> <i>Competition say which partner must play first. The side's </i><br /> <i>round starts when that partner makes a stroke to start the </i><br /> <i>side's first hole. </i><br /> <i>22.4b Starting Time and Starting Point </i><br /> <i>Rule 5.3a applies differently to each partner based on who will </i><br /> <i>play first for the side: </i><br /> <i>The partner who will play first must be ready to play at the </i><br /> <i>starting time and starting point, and must start at (and not </i><br /> <i>before) that time. </i><br /> <i>The partner who will play second must be present at the </i><br /> <i>starting time either at the starting point or on the hole near </i><br /> <i>where the ball played from the teeing area is expected to come </i><br /> <i>to rest. </i><br /> <i>If either partner is not present in this way, the side is in breach </i><br /> <i>of Rule 5.3a. </i><br /> <i>22.5 Partners May Share Clubs </i><br /> <i>Rule 4.1b(2) is modified to allow partners to share clubs, so long as </i><br /> <i>the total number of clubs they have together is not more than 14. </i><br /> <i>22.6 Restriction on Player Standing Behind Partner When Stroke </i><br /> <i>Made </i><br /> <i>In addition to the limitations in Rule 10.2b(4), a player must not </i><br /> <i>stand on or close to an extension of the line of play behind the ball </i><br /> <i>while their partner is making a stroke to gain information for the </i><br /> <i>side’s next stroke. </i><br /> <i>Penalty for Breach of Rule 22.6: General Penalty</i> ” <br /> In view of the above, the idea of team play in the game of golf is not <br /> original and, therefore, the Plaintiff cannot claim copyright in the expression <br /> of the said idea in the Plaintiff’s Work. <br /> 30.2 <b>Announcing / Declaring the Role of a Player</b> : In the Impugned <br /> Sheet, it is stipulated that the team members will pre-assign each player for <br /> specific shot taking and the same must be announced before the start of the <br /> <i> </i><br /> <i>CS(COMM) 700/2024 </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> Page 39 of 45</i><br /> <br /> Signature Not Verified<br /> Signed By:SWATI<br /> MAYEE SAHU<br /> Signing Date:11.04.2026<br /> 21:29:05<br /><br /> <br /> <b> </b><br /> play, whereas in the Plaintiff’s Literary Work, it is provided that each player <br /> must declare their ‘specialization’ / ‘discipline’ or multiple ‘specializations’ / <br /> ‘disciplines’. A comparison of this requirement in the Impugned Sheet as <br /> well as the Plaintiff’s Work shows that the team members will assign a <br /> player for specific shots, however, there is no requirement to declare their <br /> specialization. In the Impugned Sheet, any player can be assigned for <br /> specific shot taking and there is no restriction for a particular player to <br /> declare their specialization / discipline. Accordingly, there is no copy of the <br /> Plaintiff’s Work in the Impugned Sheet when it provides that the team <br /> members will pre-assign each player for specific shot taking. <b> </b><br /> 30.3 <b>Types of Shots / Role of Players based on the type of Shots</b> : The <br /> Impugned Sheet provides that if ‘A’ player has been pre-assigned for Tee <br /> Shot, player ‘B’ for the second shot, player ‘C’ for the third shot and player <br /> ‘D’ for the putt, definite areas will be marked on the course for specific <br /> shots, whereas the Plaintiff’s Work provide that there will be Tee Specialist, <br /> Fairway Specialist, Wedge Specialist and Putting Specialist as per the event <br /> rules. The comparison between the Impugned Sheet and the Plaintiff’s Work <br /> shows that in the Impugned Work, different players can be pre-assigned for <br /> different shots and there will be specific marking on the course for specific <br /> shots. However, in the Plaintiff’s Work, there will be specialist for each of <br /> the shots as per the event rules. Thus, the Impugned Work is not a copy of <br /> the Plaintiff’s Work as there is no requirement in the Impugned Work to <br /> specify the specialists and any player can be pre-assigned for various shots, <br /> which can be taken from definite areas marked for specific shots. Although, <br /> there is similarity between the pre-assigned shots in Impugned Work and <br /> designating specialist for each shot in Plaintiff’s Work, both are <br /> <i> </i><br /> <i>CS(COMM) 700/2024 </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> Page 40 of 45</i><br /> <br /> Signature Not Verified<br /> Signed By:SWATI<br /> MAYEE SAHU<br /> Signing Date:11.04.2026<br /> 21:29:05<br /><br /> <br /> <b> </b><br /> substantively different and cannot be said to be a copy of the Plaintiff’s <br /> Work. <b> </b><br /> 30.4 <b>Provision of Specified Time:</b> The Impugned Sheet provides for time <br /> limitation and states that each hole will be granted 120 seconds to complete, <br /> whereas the Plaintiff’s Literary Work provides that time keeping will be set <br /> the moment tee ball is hit. Therefore, the requirement of Time Limitation in <br /> the Impugned Work and Time Keeping in the Plaintiff’s Work is entirely <br /> different as there is no restriction of time to complete each hole in the <br /> Plaintiff’s Work, which only provides that Time Keeping will be introduced <br /> to maintain the pace of play, which will be set the moment the tee ball is hit. <br /> In view of the same, there is no copying of Plaintiff’s Work in the Impugned <br /> Sheet for this particular aspect. <b> </b><br /> 30.5 <b>Provisional / Spare Ball to be with Players during the Play</b> : <br /> Impugned Sheet provides that besides the ball-in-play, the players are <br /> advised to keep a spare ball with them at all times. The Plaintiff’s Literary <br /> Work provides that in case of out of bound or probable ball loss, the <br /> provisional ball must be played immediately as the clock will not reset for <br /> the new ball-in-play on the hole. A comparative analysis of this requirement <br /> in both the Impugned Sheet as well as Plaintiff’s Literary Work would show <br /> that there is no similarity between the respective provisions for provisional <br /> ball / spare ball. The Impugned Sheet only advices the player to keep a <br /> spare golf ball, whereas the Plaintiff’s Work requires the player to <br /> immediately play the provisional ball in case of out of bounds or probable <br /> ball loss. Clearly, there is no copying of Plaintiff’s Work by the Impugned <br /> Work in this aspect. <b> </b><br /> <i> </i><br /> <i>CS(COMM) 700/2024 </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> Page 41 of 45</i><br /> <br /> Signature Not Verified<br /> Signed By:SWATI<br /> MAYEE SAHU<br /> Signing Date:11.04.2026<br /> 21:29:05<br /><br /> <br /> <b> </b><br /> 30.6 <b>Similar Number of Holes:</b> Impugned Sheet provides that “IGPL <br /> Flash Format” will be played over two holes, whereas the Plaintiff’s Literary <br /> Work provides that it will be played over 1 to 6 holes. Therefore, there is no <br /> copying by Impugned Work of Plaintiff’s Literary Work as regards the <br /> number of holes to be played. <b> </b><br /> 30.7 <b>Ranking based on Team’s Performance</b> : Impugned Sheet provides <br /> that the gross score by the team’s professional and the total score will lead to <br /> the leaderboard being decided and the team with the lowest score will be the <br /> winner. The Plaintiff’s Literary Work provides that there will be a new team <br /> ranking on a global scale and the worst score on the hole is defined by the <br /> event management. The Impugned Work provides that the gross score of the <br /> team’s professional and the total score will be taken into consideration for <br /> declaring the winner. However, the Plaintiff’s Work only mentions about <br /> team ranking without providing how the score of the team will be decided as <br /> it is left to be defined by the event management. Hence, there is no copying <br /> by the Impugned Work of the team’s ranking as provided in the Plaintiff’s <br /> Impugned Work. <b> </b><br /> 30.8 <b>Out of Play</b> : Impugned Sheet provides that a ball will be considered <br /> out-of-play if the ball comes to rest outside the boundary of the runner and <br /> the teams must use the nearest drop zone and continue to play, whereas the <br /> Plaintiff’s Literary Work provides that in case of out of bounds, the <br /> provisional ball must be played immediately. This requirement of out-of-<br /> play is not unique and original in the Impugned Work as well as the <br /> Plaintiff’s Literary Work. The same requirement is already stipulated in the <br /> traditional game of golf. Hence, the Plaintiff cannot claim copyright on this <br /> requirement. <b> </b><br /> <i> </i><br /> <i>CS(COMM) 700/2024 </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> Page 42 of 45</i><br /> <br /> Signature Not Verified<br /> Signed By:SWATI<br /> MAYEE SAHU<br /> Signing Date:11.04.2026<br /> 21:29:05<br /><br /> <br /> <b> </b><br /> 31. The above analysis shows that the infringement alleged by the <br /> Plaintiff of his Literary Work is not borne out from the comparison between <br /> the Plaintiff’s Literary Work for which the Plaintiff has obtained copyright <br /> registration, and the Defendants’ Impugned Work. The analysis of the table <br /> provided by Plaintiff himself to establish infringement of copyright clearly <br /> shows that none of the elements of the Plaintiff’s Work has been copied by <br /> the Defendants. <br /> 32. There is no cavil that the Plaintiff is owner of the copyright contained <br /> in Plaintiff’s Literary Work for which the Plaintiff has obtained registration. <br /> Therefore, the Plaintiff enjoys copyright in the Literary Work titled as <br /> “SHOT SQUAD LEAGUE”. Further, the Plaintiff has expressed his idea in <br /> form of the Literary Work which has been granted registration. Hence, the <br /> law laid down in <b><i>R.G. Anand </i></b> ( <i>supra</i> ), <b><i>Hulm Entertainment Pvt. Ltd. </i></b><br /> ( <i>supra</i> ) and <b><i>Sanjay Kumar Gupta </i></b> ( <i>supra</i> ) is not relevant. <br /> 33. As the Plaintiff’s expression of idea contained in the Literary Work <br /> titled as “SHOT SQUAD LEAGUE” contains game format, rules, penalties, <br /> team structure and club limitation for player, Plaintiff’s Work satisfies the <br /> doctrine of ‘Modicum of Creativity’ and will not be hit by ‘Doctrine of <br /> Merger’ as held in <b><i>Mattel, Inc.</i></b> ( <i>supra</i> ), which holds that when there are <br /> multiple ways to express the same idea, the Doctrine of Merger will not <br /> apply. The Plaintiff’s Work is not abstract rules and play ideas and, <br /> therefore, the reliance placed by Defendants on <b><i>Samir Kansal </i></b> ( <i>supra</i> ) will <br /> not be relevant as the said decision involved a league that continued to play <br /> the same game of cricket using the same rules and format as the traditional <br /> sport. In the present case, the Plaintiff’s Work involves a significant <br /> <i> </i><br /> <i>CS(COMM) 700/2024 </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> Page 43 of 45</i><br /> <br /> Signature Not Verified<br /> Signed By:SWATI<br /> MAYEE SAHU<br /> Signing Date:11.04.2026<br /> 21:29:05<br /><br /> <br /> <b> </b><br /> distinction between the standard game of golf and the “SHOT SQUAD <br /> LEAGUE” / “THE SMASH LEAGUE” introduced by the Plaintiff. <br /> 34. With respect to the allegation of breach of confidentiality by the <br /> Defendants, the Plaintiff has not established any enforceable obligation of <br /> confidentiality on the part of the Defendants. The Plaintiff disclosed <br /> information regarding their work both to the Defendants and publicly during <br /> the tournament held in Chandigarh, thus precluding any claim of <br /> confidentiality over such work. Accordingly, there is no basis for granting <br /> an injunction based on the alleged breach of confidentiality by the <br /> Defendants. <br /> 35. Furthermore, the Plaintiff has failed to demonstrate a <i>prima facie</i> case <br /> of copying concerning the literary work titled “SHOT SQUAD LEAGUE” <br /> by the Defendants through their use of the Impugned Sheet for the <br /> Impugned Work. Comparative analysis indicates the absence of any <br /> unauthorized copying. Since the Defendants have not reproduced the <br /> Plaintiff’s work in the Impugned Sheet related to the Impugned Work, they <br /> cannot be restrained in the manner sought by the Plaintiff. <br /> 36. For these reasons, the balance of convenience favors the Defendants, <br /> as the Plaintiff is not likely to suffer irreparable harm during the pendency of <br /> the suit if the requested restraint is not imposed. <br /> 37. As a result, the present Application seeking interim injunction is <br /> dismissed. However, it is clarified that the undertaking given by the <br /> Defendants recorded <i>vide </i> order dated 09.12.2025 that the Defendants have <br /> voluntarily ceased using the word ‘SMASH’ and in place of the same, are <br /> <i> </i><br /> <i>CS(COMM) 700/2024 </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> Page 44 of 45</i><br /> <br /> Signature Not Verified<br /> Signed By:SWATI<br /> MAYEE SAHU<br /> Signing Date:11.04.2026<br /> 21:29:05<br /><br /> <br /> <b> </b><br /> using the word ‘FLASH’ and that they will continue to do so during the <br /> pendency of this Suit, shall continue to operate. <br /> <br /> <b>TEJAS KARIA, J </b><br /> <b> </b><br /> <b>APRIL 10, 2026 </b><br /> ‘gsr’ <br /> <i> </i><br /> <i> </i><br /> <i> </i><br /> <i>CS(COMM) 700/2024 </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> </i> <i> Page 45 of 45</i><br /> <br /> Signature Not Verified<br /> Signed By:SWATI<br /> MAYEE SAHU<br /> Signing Date:11.04.2026<br /> 21:29:05</div>