Medecins Sans Frontieres International vs Dharma Productions Private Limited And Ors
- Court
- Delhi High Court
* IN THE HIGH COURT OF DELHI AT NEW DELHI
% Judgment delivered on: 30/04/2026
+ CS(COMM) 1134/2024
MEDECINS SANS FRONTIERES INTERNATIONAL ....Plaintiff
versus
DHARMA PRODUCTIONS PRIVATE LIMITED
AND ORS .....Defendants
Advocates who appeared in this case
For the Plaintiff : Ms. Shwetasree Majumder, Ms. Priya
Adlakha and Ms. Urvi Nama,
Advocates.
For the Defendants : Mr. Nakul Dewan, Senior Advocate
along with Mr. Parag Khandhar, Mr.
Krishan Kumar, Ms. Anaheeja Verma,
Ms. Atmaja Tripathy, Ms. Gahena
Gambani, Advocates for Defendant
Nos.1 & 2.
Mr. Nizam Pasha, Mr. Parag
Khandhar, Mr. Krishan Kumar, Mr.
Sidharth Kaushik & Ms. Charu
Sharma, Advocates for Defendant
No.3.
Mr. Saikrishna Rajagopal, Mr.
Devvrat Joshi & Mr. Angad S Makkar,
Advocates for Defendant No.4
(through VC).
CORAM:
HON'BLE MR. JUSTICE TEJAS KARIA
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Signed By:NEELAM
SHARMA
Signing Date:02.05.2026
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JUDGMENT
TEJAS KARIA, J
I.A. 48554/2024
1. The present Application has been filed on behalf of the Plaintiff under
Order XXXIX Rules 1 and 2 read with Section 151 of the Code of Civil
Procedure, 1908 (“ CPC ”) seeking interim injunction against the Defendants.
FACTUAL BACKGROUND:
2. The Plaintiff is an international humanitarian medical aid organization
which operates under the name/mark ‘Médecins Sans Frontières’ / ‘Doctors
Without Borders’ (“ Plaintiff’s Mark ”), providing medical assistance to
people affected by armed conflict, epidemic, natural disasters or exclusion
from healthcare. It is an international non-profit organization, which operates
in more than 74 countries.
3. The Plaintiff’s humanitarian work has been recognised by several
national and global institutions over the years. In 1996, the Plaintiff was
awarded a prestigious Indira Gandhi Prize for Peace, Disarmament and
Development for providing timely and much required medical aid to people
in crisis. Further, the Plaintiff was also awarded the most prestigious award,
i.e., the Nobel Peace Prize in the year 1999.
4. The Plaintiff operates its parent website www.msf.org and
www.doctorswithoutborders.org on the internet, along with more than 45
region specific websites, providing details on the ongoing and passed projects
undertaken by the Plaintiff and options for making donations to the Plaintiff
organization. The Plaintiff has been operating a dedicated website
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www.msf.india.in since 2006 in India. The Plaintiff also maintains an active
position on social media platforms like Facebook, Twitter, Instagram,
YouTube and LinkedIn.
5. The Plaintiff has been actively working in India since October, 1999
and has undertaken multiple projects, providing treatment in care for HIV,
tuberculosis, malnutrition patients, survivors of sexual violence, among
others, across various parts of India. The Plaintiff has received support from
various international and Indian celebrities, including Defendant No. 3, who
have supported the Plaintiff’s humanitarian works and medical relief efforts.
6. As the Plaintiff is an international humanitarian organization, its
medical personnel and relief supplies have a special right to access and free
passage to the victims wounded and sick in disaster affected areas, conflict
zones, prisons and detention centers, under humanitarian laws including
Geneva Convention, 1949 and UN Resolutions.
7. The Plaintiff claims that it has been using the Plaintiff’s Mark since its
inception in 1971, and is the proprietor of the same in various countries,
including in India. The details of the registrations of the Plaintiff’s Mark in
India are as under:
| S.<br>No. | Trademark | Registration<br>No. | Dated | Class |
|---|---|---|---|---|
| 1. | 864826 | 9th July<br>1999 | 16 | |
| 2. | 1794691 | 12th March<br>2009 | 44 |
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SHARMA
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| 3. | MSF | 1794692 | 12th March<br>2009 | 44 |
|---|---|---|---|---|
| 4. | MEDECINS SANS<br>FRONTIERES | 1794693 | 12th March<br>2009 | 44 |
| 5. | DOCTORS WITHOUT<br>BORDERS | 1875450 | 22nd<br>October<br>2009 | 44 |
| 6. | 1875451 | 22nd<br>October<br>2009 | 44 | |
| 7. | DOCTORS WITHOUT<br>BORDERS | 4481760 | 24th March<br>2020 | 16, 36, 41, 45 |
| 8. | 4481761 | 24th March<br>2020 | 16, 36, 41, 45 | |
| 9. | MEDECINS SANS<br>FRONTIERES | 4481762 | 24th March<br>2020 | 16, 36, 41, 45 |
| 10. | MSF | 4481763 | 24th March<br>2020 | 16, 36, 41, 45 |
| 11. | 4481764 | 24th March<br>2020 | 16, 36, 41, 45 | |
| 12. | 4481765 | 24th March<br>2020 | 36, 41, 44, 45 |
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Signed By:NEELAM
SHARMA
Signing Date:02.05.2026
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8. The Plaintiff also claims that vide Notification dated 19.02.2024, the
Plaintiff’s Mark is declared a well-known mark in India and is included in the
list of well-known Trade Marks.
9. On 11.10.2024, the film titled JIGRA(“ Impugned Film ”) was released
in theatres worldwide in Hindi and a dubbed version in Telugu language. The
plot of the film is that the lead character Satya’s (played by Defendant No. 3)
brother Ankur, goes to an island country having fictitious name ‘Hanshi Dao’
for a business trip with his cousin, where he is firstly implicated for the
possession of drugs and sentenced to death. Satya goes to Hanshi Dao in order
to rescue her brother where, along with her allies Bhatia and Muthu, she
prepares a prison break and rescue plan for Ankur and two other prisoners.
She successfully executed her rescue plan and was able to rescue Hanshi Dao
and enters Malaysian waters by crossing the international border.
10. The Plaintiff claims that in the last week of October, 2024, when a
representative of the Plaintiff went to watch the said film at a theatre in Delhi,
he was appalled to note the inclusion of the Plaintiff’s Mark, Doctors Without
Borders, in the storyline of the film, where Satya and Ankur along with two
other prisoners disguise themselves as representatives of the Plaintiff
Organization, Doctors Without Borders, to illegally escape the border of
Hanshi Dao and enter Malaysian waters. The scenes in the said film, including
the dialogues and key images, where the Plaintiff’s Mark is used (“Impugned
Scenes”), is reproduced below:
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SHARMA
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| Shot<br>Time | Speaker | Dialogue | Screenshot |
|---|---|---|---|
| Impugned Scene No. 1<br>*Satya, Muthu, and Bhatia discuss their prison break and escape plan to<br>cross the Hanshi Dao border and enter Malaysian waters, disguising<br>themselves as representatives of ‘Doctors Without Borders’* | |||
| 01:06:57<br>-<br>01:07:15 | Muthu | Toh main<br>humara<br>situation usko<br>poora sach-<br>sach<br>batadunga,<br>aur yeh bhi<br>bata doonga ki<br>hum ‘Doctors<br>without<br>Borders’<br>banker<br>aayenge.<br>(Translation:<br>I’ll explain the<br>whole<br>situation to<br>him and tell<br>him that we’ll |
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| be posing as<br>‘Doctors<br>without<br>Borders’.) | |||
|---|---|---|---|
| Bhatia | Are bhai, yeh<br>Doctors<br>without<br>Border kya<br>hai?<br>(Translation:<br>What are<br>‘Doctors<br>without<br>Borders’?) | ||
| Muthu | Okay, Google-<br>Search<br>‘Doctors<br>Without<br>Borders’ |
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SHARMA
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| Bhatia | International<br>Medical … | ||
|---|---|---|---|
| Satya | Don’t you<br>think ki hum<br>log kuch<br>zayada<br>dependent<br>hain tumhare<br>dost par aur<br>iss technicality<br>par?<br>(Translation:<br>Aren’t we<br>relying too<br>much on your<br>friend and this<br>technicality?) |
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| Muthu | Yes, but this is<br>the only way. | ||
|---|---|---|---|
| Satya | Okay, I trust<br>you. | ||
| Impugned Scene No. 2<br>*Satya, Ankur, and two other prisoners (one of them portraying an ‘injured’<br>person) are escaping the Hanshi Dao border on a speed boat to enter<br>Malaysian waters, disguised as ‘Doctors Without Borders’. Satya makes a<br>distress call from the speed boat* | |||
| 02:17:08<br>-<br>02:17:15 | Satya | Mayday,<br>Mayday,<br>Mayday<br>Mayday ….We<br>are Doctors<br>Without<br>Borders...Med<br>ics Without<br>Frontiers….. |
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SHARMA
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| Yīshēng wú<br>guójiè<br>(Chinese<br>translation for<br>Doctors<br>Without<br>Borders)….<br>Do you copy?<br>Do you copy? I<br>think we have<br>crossed<br>international<br>borders. |
|---|
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Signed By:NEELAM
SHARMA
Signing Date:02.05.2026
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11. The Plaintiff sent a letter dated 29.10.2024 to Defendant Nos. 1 and 2,
requesting them to remove the Plaintiff’s Mark from the Impugned Film.
However, vide reply dated 19.11.2024, Defendant Nos. 1 and 2 rejected the
Plaintiff’s grievance and denied its request.
12. Aggrieved by the unauthorized usage of the Plaintiff’s Mark in the
Impugned Film, the present Suit along with this Application has been filed by
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Signed By:NEELAM
SHARMA
Signing Date:02.05.2026
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the Plaintiff seeking interim injunction restraining the Defendants from
broadcasting the Impugned Scenes, which cause disparagement and / or
infringement of the Plaintiff’s Mark.
SUBMISSIONS ON BEHALF OF THE PLAINTIFF:
13. Ms. Shwetasree Majumder, the learned Counsel for the Plaintiff
advanced the following submissions:
13.1. The Plaintiff is a non-profit, impartial, independent international
medical aid humanitarian organization founded in 1971. The Plaintiff
has been active in India since October, 1999, providing emergency
medical assistance and humanitarian aid across various states.
13.2. The goodwill and reputation of the Plaintiff in the Plaintiff’s Mark has
been recognized all around the world, which is evident from various
prestigious awards and accolades, including Indira Gandhi Prize for
Peace, Disarmament and Development in 1996, Nobel Peace Prize in
1999, Nansen Refugee Award in 1996 and Tipperary International
Peace Award in 2023. The Plaintiff has also been supported by various
international and Indian celebrities, including Defendant No. 3.
13.3. The Plaintiff is entitled to a special right to access and free passage
across international borders, under the Geneva Convention and UN
Resolutions.
13.4. The Plaintiff’s Mark is registered across several jurisdictions,
including India since 1999, and was declared well-known in India on
in 2024.
13.5. In the last week of October 2024, the Plaintiff discovered the
unauthorized use of its well-known Mark, in the Impugned Film. The
Plaintiff issued a legal notice dated 29.10.2024 to Defendant Nos. 1
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and 2, requesting removal of the Plaintiff’s Mark from the Impugned
Film. The request was turned down by the Defendants vide reply letter
dated 19.11.2024 claiming that firstly , the Impugned Film is a fictional
work and the use of the Plaintiff’s Mark is coincidental and covered
by a disclaimer; and secondly , the Plaintiff’s Mark consists of common
words with no exclusivity.
13.6. The misuse of the Plaintiff’s Mark by the Defendants in the Impugned
Film, is not “by way of permitted use”, as Plaintiff’s permission or
authorization was not obtained, and therefore, satisfies the threshold
of trademark infringement under Section 29(4) and (9) of the Trade
Marks Act, 1999 (“ Act ”), as firstly , the Plaintiff’s Mark used in the
Impugned Film, i.e., ‘Doctors Without Borders’ is identical to the
Plaintiff’s Mark, while the other Trade Mark ‘Medics Without
Frontiers’ is deceptively similar to the Plaintiff’s registered and well-
known Mark ‘Médecins Sans Frontières’ and the Chinese term
‘Yīshēng wú guójiè’, translates to Plaintiff’s Mark ‘Doctors Without
Borders’. Secondly , usage of Plaintiff’s Mark is clearly a “use in the
course of trade” as a cinematography film is a commercial product.
Thirdly , the Plaintiff’s Mark has been declared well-known in India
and its goodwill and reputation has been admitted by the Defendants.
Fourthly, such use is without “due cause” and in fact, could have been
easily avoided by the Defendants by using a fictious name.
13.7. The misuse of the Plaintiff’s Mark is to take “unfair advantage” of the
Plaintiff’s goodwill and reputation, on account of its free access across
border, which has been admitted by the Defendants. Such use is
‘detrimental’ to the distinctive character and repute of the Plaintiff’s
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Signed By:NEELAM
SHARMA
Signing Date:02.05.2026
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Mark, as it creates a dangerous and highly defamatory impression that
the Plaintiff’s credibility can be used for illegal immigration and that
anyone can impersonate the Plaintiff’s worker to illegally cross
international borders.
13.8. The distinctive element of Plaintiff’s Mark includes words, which has
been used in the impugned film by way of spoken words as well as
visual representation.
13.9. It is a settled position of law that in cases of disparagement, the Court
is required to consider how an ordinary, reasonable viewer would
perceive and interpret the content in question. The three factors that
contribute to the tort of disparagement are -
(a) intent of the content;
(b) manner of representation; and
(c) message sought to be conveyed.
13.10. The claims that the Impugned Film is a work of fiction and carries a
disclaimer, do not justify infringement which causes disparagement
and tarnishment of the Plaintiff's goodwill and reputation for
commercial gain. The use of the Plaintiff’s trademark is admittedly
deliberate and integral to the film’s storyline.
13.11. It is settled law that that connection between a film’s content and real-
life entities must be determined by comparing the film with actual
facts, and not by relying on any misleading disclaimer.
13.12. The use of the Plaintiff’s Mark clearly qualifies as ‘use in the course
of trade’, as the film is admittedly a commercial venture. The
Defendants’ claim of incidental use is contradicted by their own
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SHARMA
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admission of deliberate and planned use to exploit the Plaintiff’s
reputation.
13.13. Under the Act, an alleged de minimis use is not a valid defence to
infringement. The frequency or duration of use is immaterial, and even
a single disparaging reference is sufficient to sustain a cause of action.
13.14. The prohibition on trademark infringement via spoken words and
visual representation under Section 29(9) of the Act is a legitimate
restriction on commercial speech. Additionally, protection against
brand disparagement is a facet of the tort of defamation and falls
squarely within the reasonable restrictions under Article 19(2) of the
Constitution of India, 1950.
13.15. The fact that parties are not competitors or not in the same business is
irrelevant, particularly under Section 29(4) and 29(9) of the Act, as the
Plaintiff’s Mark is declared well-known in India. Moreover, Plaintiff’s
Mark is registered in class 41, and it produces short films.
Accordingly, both infringement and disparagement are clearly
established.
13.16. There is no requirement of proof of ‘actual confusion’, and a mere
likelihood of confusion or association with the registered Trade Mark
is sufficient. The Defendants’ unauthorized use of the Plaintiff’s Mark
in connection with illegal border crossing takes unfair advantage and
is detrimental to the Plaintiff’s goodwill and reputation. The lack of
immediate or quantifiable damage is not a valid defence to the same.
14. In view of the foregoing submissions, the Plaintiff prays that the present
application be allowed.
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Signed By:NEELAM
SHARMA
Signing Date:02.05.2026
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SUBMISSIONS ON BEHALF OF THE DEFENDANT NOS. 1 AND 2:
15. Mr. Nakul Dewan, the learned Senior Counsel for Defendant Nos. 1
and 2 advanced the following submissions:
15.1. The Plaintiff has instituted the present Suit, claiming infringement by
the Defendants of the Plaintiff’s Mark by use name in the Impugned
Film. Defendant No. 1 is the producer of the movie and the Defendant
No. 2 is the Director of Defendant No. 1, as well as the co-producer of
the Film.
15.2. The Plaintiff’s case in the plaint is that it is the registered proprietor of
the Plaintiff’s Mark, which according to the Plaintiff has been used in
the Film in a manner that violates its rights as the owner of the Trade
Mark.
15.3. The controversy in the present case is restricted to whether the use of
the Plaintiff’s Mark by the Defendants results in an infringement of the
Trade Mark under Section 29 of the Act. With respect to this
controversy, the Plaintiff’s case against the Defendants is three-fold.
The Plaintiff asserts that the Defendants’ use of the Plaintiff’s Mark in
the Impugned Film results in an infringement - firstly, under Section
29(4) of the Act, by giving an unfair advantage to the Defendants and
at the same time being detrimental to the distinctive character and
reputation of the Plaintiff’s Mark; secondly, under Section 29(2) of the
Act, on account of the Plaintiff’s Mark being registered in the same
class as that of the Impugned Film; and lastly, under Section 29(9) of
the Act, on account of spoken use of the Plaintiff’s Mark in the Film.
15.4. Section 29 of the Act does not grant the owner of a Trade Mark an
unqualified right to have a non-owner of a Trade Mark injuncted from
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using its Trade Mark. Instead, under Section 29 of the Act, the use of a
Trade Mark is qualified by the restrictions under Section 30 of the Act
read with the conditions prescribed in each sub-provision of Section 29.
Simply put, a mere use of a Trade Mark without meeting the conditions
prescribed in Section 29 does not establish a case for infringement of a
Trade Mark.
15.5. Aclaim for infringement under Section 29(4) of the Act seeks to protect
dilution, tarnishment and disparagement of a Trade Mark from its use
by a person who is neither the registered owner nor has rights for its
permitted use in the class of goods and services for which the trade
mark is not registered. Given that Section 29(4) of the Act protects a
Trade Mark from dilution or disparagement or tarnishment from its use
in any class of goods or services, a higher threshold of proof is required
under Section 29(4) of the Act.
15.6. It is necessary for the Plaintiff to establish that the use of the Plaintiff’s
Mark by the Defendants takes unfair advantage of the said Mark; or is
detrimental to - firstly, the distinctive character of the Plaintiff’s Mark;
or secondly , the repute of the Plaintiff’s Mark.
15.7. Section 29(4) requires demonstration of what constitutes either unfair
advantage or detriment to the use of a Trade Mark. Unfair Advantage
requires the Plaintiff to demonstrate that the Defendants sought to ‘ride
on the coat-tails’; and that mere economic advantage is insufficient.
15.8. The decision of this Court in ITC Ltd. v. Philip Morris Products SA
2010 SCC OnLine Del 27 sets out that ‘unfair advantage’ cannot be
presumed and must be affirmatively proved as a matter of fact.
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15.9. There are two broad aspects that require to be considered for
determining whether there has been any unfair advantage from the use
of a Trade Mark. First , it must be demonstrated that the Defendants
sought to ‘ride on the coat-tails’ of the trademark owner in order to
benefit from the reputation of the Mark. This principle, articulated in
Argos Ltd. v. Argos Systems Inc. [2018] EWCA Civ 2211, has also
been accepted by this Hon’ble Court in Bloomberg Finance LP v.
Prafull Saklecha & Ors 2013 SCC OnLine Del 4159, where this Court,
applied the test of ‘free-riding on the goodwill’ of a Trade Mark.
Second , it is insufficient to simply assert that the Defendants are
obtaining an economic advantage without demonstrating a change in
economic behaviour of customers for the Plaintiff’s goods or services,
or the likelihood of such a change. The fact of economic advantage is
not enough and there has to be an "unfair" advantage, not merely an
economic (or commercial) one.
15.10.Detriment requires the Plaintiff to demonstrate harm to the distinctive
character or reputation of the Trade Mark. There are two broad aspects
which the Plaintiff is required to establish. First, the Plaintiff must
show detriment to the distinctive character or dilution or blurring or
whittling away of the distinctive character, which only occurs when, in
the consumer’s mind, the Trade Mark is weakened. This threshold of
detriment to the distinctive character of a Trade Mark, which has been
applied by the English Court of Appeal in the case between Comic
Enterprises Ltd. and Twentieth Century Fox Film Corporation [2016]
EWCA Civ 41, requires a proof of change in economic behaviour of
average consumers of the plaintiff’s goods or services, or the likelihood
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of such a change to occur in future to establish detriment. Secondly ,
detriment may also be to the ‘reputation’ of a Trade Mark, otherwise
known as tarnishment or degradation. This has been accepted in
Bloomberg (supra) and effectively requires the Plaintiff to show that
the power of attraction of the well-known Trade Mark has been reduced
in the eyes of the users.
15.11.In the present case, however, the Plaintiff has failed to meet all the
conditions under Section 29(4), particularly the conditions regarding
‘unfair advantage’and ‘detriment’caused to the distinctive character or
reputation of the Plaintiff’s Mark as a result of its use by the
Defendants. That is because the Plaintiff has failed to demonstrate how
the use of ‘Doctors Without Borders’ amounts to freeriding on the
goodwill attached to its well-known Mark, a necessary threshold to
prove ‘unfair advantage’. The Plaintiff has not substantiated how the
Defendants’ use of ‘Doctors Without Borders’ for a miniscule part of
the movie, i.e., 25 seconds out of a total run time of 2 hours 33 minutes
aimed to free-ride, encash or derive economic benefit from the Trade
Mark, particularly when the entire movie has a distinctive plot which is
not premised or monetized on the basis of use of the Plaintiff’s Mark.
Even in Bloomberg (supra), this Court rendered a prima facie finding
that the Paintiff had ‘encashed and derived economic benefits’ from a
well-known Trade Mark by free-riding. In fact, the Plaintiff’s
suggestion that it is immaterial how long the alleged infringement took
place is also without any merit in the facts of this case because when a
global assessment is done on the entire movie and its plot, it would
become apparent that the Defendants have not gained any unfair
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advantage by the use of the Plaintiff’s Mark. Indeed, there is no
evidence produced by the Plaintiff on the basis of a global assessment
to demonstrate unfair advantage gained by the Defendants from the use
of the Trade Mark.
15.12.Further, the Defendants’ use of the Plaintiff’s Mark does not dilute,
transpose or replace the image of the Plaintiff’s Mark in the minds of
viewers with the Defendants’services. This is bolstered by the fact that
the plot of the Impugned Film has various elements. It is only one part
of that plot where the protagonist stated that she would pretend to be a
member of the Plaintiff organization in order to exit from Hanshi Dao
to gain entry into Malaysian waters.
15.13.The plot also shows that the protagonist was to be assisted by an officer
of the Malaysian Navy to facilitate the escape of the protagonist posing
as members of the Plaintiff organization. The plot does not solely rely
on ‘Doctors Without Borders’to commute through international waters
as the assistance it gathered from the Malaysian Navy was critical for
the success of the rescue operation. Even during the actual scene, the
protagonist is seen wearing the identity card of ‘Han’s Island’ hospital.
None of these demonstrated that the protagonist was actually a member
of the Plaintiff organization or was suggestive of the fact that it was the
Plaintiff organization that assisted with the jail break. Notably, the
Defendants further disclaimed any reference to real-life entities.
15.14.The Plaintiff has also failed to substantiate how the use of the Plaintiff’s
Mark is perceived by the public in a way that reduces the value of the
Plaintiff’s Mark or attracts negative publicity. No evidence has been
brought on record to demonstrate a change in the consumer behaviour.
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The Plaintiff has even failed to show any negative impact on its
investments as evidently, no donors have walked away from funding
the Plaintiff solely on account of use of the Plaintiff’s Mark in the
Impugned Film.
15.15.Contrary to the Plaintiff’s allegations, instead of casting a negative
impact on the image of the Plaintiff’s Mark, the reference and use of
the Plaintiff’s Mark demonstrate the wide reputation and positive
association with the Plaintiff’s Mark, which is used as a ploy by the
protagonist to exit from Hanshi Dao and gain entry into Malaysian
waters by pretending to be a member of the Plaintiff organization.
15.16.This Court in Tata Sons Limited v. Greenpeace International & Anr.
2011 SCC OnLine Del 466 , has set out the legislative intent behind
Section 29(4) of the Act. In the said case, despite the name of ‘TATA’
being used in the online game “TURTLE v. TATA” as a demonstration
of Tata’s Dhamra port project eating away olive ridley turtles, this Court
took the view that no reasonable person would consider it as
disparagement.
15.17.The Defendants’use of the Plaintiff’s Mark does not disparage the same
as it does not speak slightingly, undervalue, derogate, depreciate or
bring discredit to the Plaintiff’s Mark. While the Plaintiff has accurately
summarized the Indian legal position that disparagement is to be
viewed from the lens of harm to the reputation of the brand caused due
to the content, it has acutely failed to adduce any evidence in support
of the alleged disparagement of the Plaintiff’s Mark on account of its
use in the Impugned Film.
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15.18.Applying the test for disparagement, it is evident that the use of the
Plaintiff’s Mark does not directly or indirectly bring nor is intended to
bring any negative reference or inference to the Plaintiff’s Mark.
Further, in using the Plaintiff’s Mark, the Defendants have not been
unfair, untruthful or deceptive as the plot of the Film clearly shows the
protagonist to be posing as a member of the Plaintiff organization to
exit from Hanshi Dao and gain entry into Malaysian waters. The use of
the Plaintiff’s Mark when seen in the context and storyline of the Film
is a mere exercise of creative expression to which the restrictions under
Article 19(2) of the Constitution do not apply in the facts of the present
case, particularly when the Plaintiff has failed to demonstrate a case for
disparagement. No reasonable viewer of the Film or a potential donor
of the Plaintiff would consider the use to be offensive against the
Plaintiff’s Mark.
15.19.In Google LLC v. DRS Logistics (P) Limited & Others . 2023 SCC
OnLine Del 4809, the Division bench of this Court held that the use of
a registered Trade Mark as a keyword, without confusion, dilution or
compromise of the Trade Mark would not amount to infringement of
the Mark.
15.20.It is submitted that the mere spoken words referring to Plaintiff’s Mark
‘Doctors Without Borders’ does not satisfy the threshold of statutory
infringement under Section 29(9) of the Act as the Plaintiff has failed
to satisfy the standard of ‘use of trade mark’under Sections 2(2)(b) and
(c) of the Act.
15.21.In Tata Sons (supra), this Court made a reference to parody, which is
also undertaken on a commercial basis, and set out its observations on
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when a reasonable user would consider the use of a Trade Mark as
disparagement. A commercial film to entertain people on a fictitious
plot is also a form of entertainment and must only be viewed as such.
SUBMISSIONS ON BEHALF OF THE DEFENDANT NO. 3:
16. Mr. Nizam Pasha, the learned Counsel for Defendant No. 3 advanced
the following submissions:
16.1. Cinematographic works are a recognised form of speech and
expression, whose freedom is guaranteed under Article 19(1)(a) of the
Constitution of India. Any restraint on the Impugned Film’s content
must, therefore, satisfy Article 19(2) of the Constitution of India and be
narrowly tailored to one of the enumerated grounds, including
defamation.
16.2. In Rogers v. Grimaldi 875 F.2d 994, the Court held that the use of a
real name of a public figure within the title of a fictional work does not
become actionable as long as it forms part of the plot and does not
explicitly mislead audiences into believing that the rights holder
endorses or is responsible for the fictional work. This principle, evolved
in the context of film titles has subsequently been extended to
references to Trade Marks in the body of artistic works as well. This
Court reaffirmed this principle in Tata Sons (supra) and held the use of
the Trade Mark of the plaintiff by the defendant not to be actionable,
placing reliance on the fact that the Defendant was not engaged in a
competing business with that of the Plaintiff and the work did not
suggest origination or endorsement from the Plaintiff.
16.3. Applying this principle, mere reference to a well-known Mark within a
narrative, without a direct attack on the Plaintiff or its market
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reputation, or an attempt to pass off the work as originating with the
Plaintiff cannot meet the constitutional threshold for restraint. In the
present case, the Defendants have not made any qualitative assessment,
criticism, or adverse commentary on the Plaintiff’s functioning,
integrity or reputation. The reasoning of the Court in Louis Vuitton
Mallater S.A. v. Warner Brothers Entertainment Inc. 868 F. Supp.
172, is squarely applicable as in the present case as well, as the use of
the Plaintiff’s Mark is confined to a fictional narrative context, does not
attribute any wrongdoing to the Plaintiff, and does not suggest
endorsement, association, or responsibility on the part of the Plaintiff
for the film in order to mislead consumers into believing the Plaintiff
produced or endorsed the film. A representation that merely depicts
statedly unauthorised misuse by fictional characters within a fictional
plotline without any attribution of wrongdoing by members of the
Plaintiff organization cannot, in law, amount to Trade Mark
infringement or disparagement.
16.4. The infusion of an element of realism to give the viewers a sense of
particularized reality is a permissible goal of art, which would not be
possible if law required every element of the artistic work to be
fictional. In Wham-O, Inc. v. Paramount Pictures Corp . 286F. Supp.
2d 1254, the Court refrained from interfering when the misuse of Trade
Mark in the artistic work is an obvious and unmistakable misuse, one
recognizable by even the youngest or most credulous film viewer, and
one expressly described as a misuse in the film itself. Similarly, in
Caterpillar, Inc. v. Walt Disney Co. 287 F. Supp. 2d 913, the Court
declined to interfere on the ground that it is clear to even the most
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credulous viewer or child that the bulldozers in the movie are operated
by humans and are merely inanimate implements of Lyle’s
environmentally unfriendly schemes. This is similar to the present case
where it is evident to a viewer that the name of the Plaintiff within the
fictional plotline is being misused by the protagonists and not even the
most credulous user would carry the impression that the Plaintiff
indulges in illegal activities.
16.5. To the extent that it was sought to be argued that the impugned scenes
in the present film would inspire viewers to misuse the name of the
Plaintiff to attempt illegal border crossings, it is also relevant that
ensuring that the modus operandi of criminals, other visuals or words
likely to incite the commission of any offence are not depicted, falls
within the mandate of the Central Board of Film Certification
(“ CBFC ”) under the Guidelines issued under Section 5B(2) of the
Cinematograph Act, 1952. It is settled law that once the CBFC has
granted a certificate of fitness for public viewing, there is a presumption
that the CBFC has taken into account all the guidelines and courts will
not interfere lightly, especially at an interim stage.
16.6. Disparagement operates as a constitutional exception to the freedom of
speech under Article 19(1)(a) of the Constitution of India, 1950 and is,
therefore, subject to strict construction. For speech to fall within Article
19(2) of the Constitution of India, 1950 on the ground of defamation or
disparagement, the impugned expression must directly lower the
reputation of the plaintiff in the estimation of right-thinking members
of society by making a false or damaging imputation concerning the
Plaintiff’s character, conduct, or goods. Mere contextual reference,
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associative discomfort, or narrative proximity to unlawful conduct does
not meet this constitutional threshold.
16.7. In Tata Sons (supra), the Court held that if the user's intention is to
focus on some activity of the Trade Mark owners, and is
‘denominative’, drawing attention of the reader or viewer to the
activity, such use can prima facie constitute ‘due cause’ under Section
29(4) of the Act, which would disentitle the plaintiff to a temporary
injunction. The emphasis, therefore, was on the nature and purpose of
the use, distinguishing denominative reference from infringing
exploitation. Therefore, the focus of the reasoning was on the nature of
use by the defendant.
16.8. When this principle is applied to the present case, the reference to the
Plaintiff’s Mark in the Impugned Film is clearly denominative in
nature. The film does not portray the Plaintiff as endorsing, affiliating
with, or being complicit in the acts depicted, and nor does it use the
Mark to derive commercial advantage or to trade upon its reputation.
The reference is confined to a narrative depiction of fictional characters
misusing the Plaintiff’s name, serving only to use the name within the
story to depict reliance on an actual position of international law in
relation to humanitarian organizations. Such use falls squarely within
“due cause” and cannot be equated with infringement, disparagement,
or dilution under Section 29(4) of the Act.
SUBMISSIONS ON BEHALF OF THE DEFENDANT NO. 4:
17. Mr. Saikrishna Rajagopal, the learned Counsel for Defendant No. 4
advanced the following submissions:
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17.1. There is no statutory presumption of Trade Mark infringement under
Section 29(4), even if the identity of the two Marks is established. Thus,
the Plaintiff must necessarily demonstrate, at least prima facie , that the
use of an identical mark as theirs was without due cause and also took
unfair advantage of or caused detriment to the Plaintiff’s Mark’s
distinctive character or reputation. The Plaintiff however has entirely
failed in this exercise as there is not a single document filed by the
Plaintiff on record buttress the claim that the impugned use of the
Plaintiff’s Mark is likely to prejudicially affect the Plaintiff’s Mark’s
distinctive character or reputation.
17.2. Having failed to discharge this initial burden and in the absence of a
material foundation for the alleged negative impact on reputation of the
Plaintiff’s Mark, the Plaintiff’s dilution claim, predicated on bare
averments of detriment or reputational harm, is liable to fail. If such a
barebones claim were to be accepted, any and all uses of a mark would
be liable to be interdicted and trademark-owners would be conferred a
monopoly far larger than intended by the Legislature.
17.3. The Plaintiff has made claims that the use of the Plaintiff’s Mark in the
Impugned Film tarnishes the Plaintiff’s image amongst its current and
prospective donors and impacts its fundraising efforts. This co-relation
that the Plaintiff has sought to draw is based purely on assumptions,
surmises and lacks any material foundation, especially since the
Impugned Film, having been in the public domain for a significant
amount of time, the Plaintiff has failed to show any material that the
Film has made any negative impact in the minds of the general viewing
public or even its current donors.
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17.4. The Impugned Film is not promoted under the Plaintiff’s Mark, does
not use the Plaintiff’s Mark in a disproportionate or prominent manner,
does not display the Plaintiff’s Mark, and only uses 6 oral references to
the Plaintiff’s Mark. This evident de minimis usage is only as-much-as-
needed and therefore, does not take unfair advantage in any manner of
the Plaintiff’s Mark.
17.5. The Defendants have not attained or taken any ‘unfair advantage’ from
use of the Plaintiff’s Mark. This limited and purely referential use of
the Mark does not serve as the driving factor behind the Film’s
commercial success or appeal, nor in any manner seeks to ride or rides
on the goodwill and/or reputation of the Mark to promote the Impugned
Film in any manner. Merely because a limited advantage is drawn from
such use, i.e., briefly lending a sense of realism to the elaborate prison-
break shown in the Impugned Film, it would not fall under the teeth of
Section 29(4).
17.6. It is trite that every advantage, commercial or not, drawn by use of a
Trade Mark cannot be termed as drawing unfair advantage of the said
Mark, without cause – particularly when such use is not ‘as a Trade
Mark’ as held in the case of Google LLC (supra).
17.7. It is clear that no reasonable or even incredulous person viewing the
Impugned Film will, in any manner whatsoever, be left with the
impression from 25 seconds that the Plaintiff is associated with, or
endorses the Film, or that the Film originates from the Plaintiff. There
is no dilution or tarnishment of the distinctive character of the
Plaintiff’s Mark, i.e., the unique source identifying function that it
serves to inform the public of the Plaintiff’s goods and/or services.
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17.8. In the present case, the use of the Plaintiff’s Mark in the Impugned Film
cannot be construed to be comparative, misleading, deceptive or
disparaging. The Film does not make any comment or suggestion,
including any false comment, as to the Plaintiff’s Mark’s reputation or
characteristic.
17.9. There is, irrefutably, no direct, or even indirect, negative reference to
any property or characteristic of the Plaintiff’s services in the Title. It
is settled position of law that for an act to amount to disparagement, it
must be of such a nature which conveys something negative attributable
to the Plaintiff and carries an element of demeaning, condemning,
ridiculing, disgracing, belittling, mocking, falsity, etc. with a view to
cause injury or harm. In this background, where there is ex facie no
element of demeaning / criticizing / condemning / denigrating the
Plaintiff’s Mark, the Plaintiff’s claim for disparagement cannot be
sustained.
17.10.Even assuming, in arguendo, that the Plaintiff’s aforesaid claims of
dilution and/or disparagement are prima facie made out, such use
would nonetheless be saved by Section 30(1) of the Act. This is because
the use of the Plaintiff’s Mark is evidently at most, ‘denominative’ in
nature, i.e., intended to refer to the Trade Mark owner, and contextual
within the fictional narrative of the Impugned Film. Such denominative
use, wherein the use of a Mark is in reference to its original proprietor
and not involving any appropriation of the said Mark, is completely
permissible.
17.11.In accordance with long-standing and honest industrial / commercial
practice in the film industry, of referential use of real world Marks in
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fictional settings, which no reasonable viewer will construe to be use
‘as a trade mark’, and which carries no denigratory elements, is
permitted usage.
REJOINDER SUBMISSIONS ON BEHALF OF THE PLAINTIFF:
18. Ms. Shwetasree Majumder, the learned Counsel for the Plaintiff
advanced the following rejoinder submissions:
18.1. There is no dispute with the fact that the conditions in subsections (a),
(b) and (c) of Section 29(4) of the Act are conjunctive. In sub-section
(c), the Plaintiff must first demonstrate that the registered Mark has a
reputation in India, and thereafter, show that the use of the Mark
without due cause takes unfair advantage of or is detrimental to, the
distinctive character or repute of the registered Mark. Neither unfair
advantage or detriment need to be measured through an economic lens
alone, as suggested by the Defendants.
18.2. In the Written Statement of Defendant Nos. 1 and 2, the Defendants
admit that the escape plan in the Impugned Firm is implemented by
posing as members of the Plaintiff organisation “since the Plaintiff
organization, on account of their reputation, has comparatively easier
mobility over international borders / international waters.” This is a
categorical admission that the Plaintiff’s reputation was the reason for
choosing the mark, and that reputation was exploited to enable illegal
cross-border movement. This is the clearest possible admission of
unfair advantage, which is not incidental, accidental, or referential, and
is clearly functional reliance on Plaintiff’s goodwill.
18.3. In the Written Statement, the Defendants further plead that the
protagonists use the name on the premise that the Plaintiff has an
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“established reputation” and that they “might not be stopped” if they
pretend to be members of the Plaintiff organisation. Thus, the
Defendants accept that public authorities repose special trust in the
Plaintiff’s Mark; and that the Mark was invoked to exploit that trust. In
Trade Mark law, there can be no stronger evidence of “riding on the
coat-tails” than an admission that the Mark was used because of its
credibility and authority.
18.4. “Unfair advantage” includes free-riding on the power of attraction,
reputation, or prestige of a well-known Mark. In the present case, the
Plaintiff’s humanitarian reputation and internationally recognised
access rights are used as a plot device. The Defendants derive narrative
credibility and realism solely by invoking the Plaintiff’s Mark. The
Impugned Film monetized through theatrical release and OTT
streaming. Unfair advantage need not be a commercial gain alone;
reputational leverage and enhanced credibility in a commercial work
would also suffice.
18.5. The Defendants wrongly insist on proof of actual loss, confusion, or
donor behavior change, which is legally incorrect. Under Section 29(4)
of the Act, the detriment to distinctive character or repute is
independent of confusion, and dilution occurs when the Mark’s singular
association is weakened or distorted.
18.6. The Impugned Film associates the Plaintiff’s Mark with impersonation,
deception, illegal border crossings, and criminal escape, conveying that
the Plaintiff’s Mark’s credentials can be misused as a cover for
illegality, undermining the neutrality, trust, and humanitarian integrity
that form the core of the Plaintiff’s reputation.
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19. In view of the foregoing submissions, it is prayed that the present
Application be allowed.
ANALYSIS AND FINDINGS:
20. The main issue that requires determination is in this Application is
whether prima facie the Impugned Scenes in the Impugned Film infringe the
Plaintiff’s Mark in terms of Section 29(4)(c) of the Act, which is reproduced
as under:
“29. Infringement of registered trade marks.
(4) A registered trade mark is infringed by a person who, not being a
registered proprietor or a person using by way of permitted use, uses
in the course of trade, a mark which—
(a) ……..
(b) ……..
(c) the registered trade mark has a reputation in India and the use of
the mark without due cause takes unfair advantage of or is
detrimental to, the distinctive character or repute of the registered
trade mark.”
21. As per this provision of the Act, the proprietor of the registered Trade
Mark must establish that the Trade Mark has a reputation in India and the use
of such Trade Mark without due cause has resulted in unfair advantage of the
registered Trade Mark or it is detrimental to the distinctive character or repute
of the registered Trade Mark.
22. Accordingly, to establish infringement under Section 29(4)(c) of the
Act, the use of the registered Mark must be by a person who is not a registered
proprietor or has license to use the said Trade Mark. Further, the use of the
registered Trade Mark has to be in the course of trade.
23. In view of the above, it is required to be considered as to whether
Plaintiff’s Mark has a reputation in India and its use by the Defendants in the
Impugned Film has been:
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(a) In the course of trade; and
(b) Without any due cause; and
(c) Causing unfair advantage to the Defendant; or
(d) Detrimental to the distinctive character or repute of the Plaintiff’s
Mark.
Reputation of the Plaintiff’s Mark in India
24. The Plaintiff has submitted that the Plaintiff is an international
organization and has undertaken multiple projects by providing medical
treatment and relief across India since 1999. The Plaintiff has been providing
humanitarian and medical support to the victims of war and disaster, patients
of HIV, Tuberculosis, Malnutrition and survivor of sexual violence. The
Plaintiff and its medical personnel and relief suppliers have a special right to
access and free passage under the Geneva Convention, 1949 and United
Nations Resolutions.
25. The Plaintiff has been using the Plaintiff’s Mark since its inception in
1971 and have registered the same under various classes since 1999 in India.
The Plaintiff has used the Plaintiff’s Mark extensively and also has websites
www.msf.org and www.doctorswithoutborders.org. The Plaintiff also
maintains an active presence on social media platforms like Facebook,
Twitter, Instagram, YouTube and LinkedIn.
26. The Plaintiff has more than 69000 people including doctors, nurses and
medical staff providing emergency medical aid. The Plaintiff has been
recognized by several national and global institutions and was awarded
“Indira Gandhi Prize for Peace, Disarmament and Development” in 1996 in
India and “Nobel Peace Prize” in 1999, “Nansen Refugee Award” in 1996 and
“Tipperary International Peace Award” in 2023.
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27. The Plaintiff’s Mark has been declared as a well-known Mark in India
in 2024 and the Plaintiff’s Mark has garnered goodwill and reputation over a
period of time.
28. In view of the above, the Plaintiff has submitted that the Plaintiff’s
Mark has a reputation in India. The said assertion has not been denied by the
Defendants. The Defendants have acknowledged and admitted that the
Plaintiff has reputation in India. Accordingly, the first condition for seeking
injunction against infringement of the Plaintiff’s Mark under Section 29(4)(c)
of the Act that the Plaintiff has a reputation in India is fulfilled in the present
case.
Use of Plaintiff’s Mark in Course of Trade:
29. The second condition required to be fulfilled for asserting the right
under Section 29(4)(c) of the Act is that the use of the Plaintiff’s Mark has to
be in the course of trade.
30. In the present case, the Plaintiff’s Mark is not used for providing any
goods or services by the Defendant, however, it is used in dialogues in the
Impugned Film. It is the case of the Plaintiff that such use is in the course of
the trade as the cinematograph film produced and displayed by the Defendants
is a commercial venture and the Defendants have earned huge profits from the
Impugned Film.
31. Moreover, the Plaintiff asserts that the use of its Mark by the
Defendants is deliberate and not coincidental. The Plaintiff maintains that the
Defendants have intentionally sought to benefit from the goodwill and
reputation associated with the Plaintiff, who is recognized as an international
organization with cross-border standing and rights of access. Accordingly, the
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Plaintiff contends that the Defendants have used the Plaintiff’s mark in the
‘course of trade’.
32. Whereas, the Defendants have defended the use of the Plaintiff’s Mark
as merely incidental and de mininis . The Defendants have contended that the
use of the Plaintiff’s Mark has not resulted in any commercial benefit to the
Defendants as an average person who views the Impugned Fim will not
associate the Plaintiff’s Mark with the Defendants.
33. Given the foregoing stands taken by the Parties, the relevant question
is whether the use of the Plaintiff’s Mark in the Impugned Film constitutes
use "in the course of trade". Generally, the term "in the course of trade" refers
to the buying or selling of goods or provision of services. While a
cinematograph film does not fall strictly within the category of goods or
services, it is undeniably a commercial venture. The Impugned Film was
released in theatres and is accessible on OTT platform(s). Therefore, the use
of the Plaintiff’s Mark is clearly "in the course of trade" as envisaged by
Section 29(4) of the Act.
Use of Plaintiff’s Mark without due cause
34. The Plaintiff has submitted that the Plaintiff’s Mark has been used
“without due cause” in the Impugned Film and is not “by way of permitted
use” as the Plaintiff’s permission or authorization was not obtained by the
Defendants before using the Plaintiff’s Mark in the Impugned Film. The
Defendants have not been able to provide any justifiable reason for using the
Plaintiff’s Mark in the Impugned Film. The Defendants have purposefully
identified the Plaintiff’s Mark to gain unfair advantage of the popularity and
the special status enjoyed by the Plaintiff’s Mark as the Plaintiff has a special
right to access and free passage across International Borders. The Plaintiff has
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contended that the Defendants would have easily avoided using the Plaintiff’s
Mark by using a fictitious name instead of using the Plaintiff’s Mark.
Accordingly, there is no due cause shown by the Defendants for using the
Plaintiff’s Mark.
35. The Defendants have contended that the use of the Plaintiff’s Mark is
coincidental and covered by the disclaimer. Further, the use of the Plaintiff’s
Mark does not disparage, undervalue, derogate, deprecate or bring any
discredit to the Plaintiff’s Mark. In fact, the use of the Plaintiff’s Mark in the
Impugned Film demonstrates the wide reputation and positive association
with the Plaintiff’s Mark, which is used as a ploy by the protagonist of the
Impugned Film to gain entry into the Malaysian waters by pretending to be a
member of Plaintiff’s organization.
36. Upon considering the arguments presented by both the Plaintiff and the
Defendants, it is evident that the use of the Plaintiff’s Mark in the Impugned
Scenes demonstrates that the Defendants used the term “Doctors Without
Borders” to leverage the Plaintiff's reputation, particularly the perception that
its personnel of the Plaintiff may cross international borders without
restriction.
37. The term “due cause” under Section 39(4)(c) of the Act implies that the
use of a registered Trade Mark must be justified to avoid infringement. In this
matter, the Defendants have not demonstrated any valid reason for utilizing
the Plaintiff’s Mark in the Impugned Film, apart from claiming incidental use.
This argument is insufficient, as it is evident that the Defendants deliberately
employed the Plaintiff’s Mark in the Impugned Scenes to benefit from the
Plaintiff’s reputation and the prestige associated with unrestricted
International Border access. Furthermore, the Defendants' position lacks
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credibility as they assert no harm to the Plaintiff’s reputation, but concede that
the Plaintiff possesses significant standing and reputation in the Plaintiff’s
Mark. Consequently, the use of the Plaintiff’s Mark in the Impugned Film was
made without any due cause.
Unfair Advantage
38. It is undisputed that the Plaintiff enjoys reputation in the Plaintiff’s
Mark. The central issue is whether the Defendants’ use of the Plaintiff’s Mark
confers an unfair advantage upon the Defendants.
39. The Plaintiff has submitted that the use of the Plaintiff’s Mark in the
Impugned Film has provided the Defendants with an ‘unfair advantage’ by
misusing the advantage the Plaintiff has for unrestricted access across borders.
The Defendants have utilized the Plaintiff’s Mark in such a way as to convey
a defamatory implication that the Plaintiff facilitates illegal immigration and
that unauthorized individuals could impersonate the Plaintiff’s personnel to
unlawfully cross international boundaries.
40. The Defendants have contended that the “Unfair Advantage” cannot be
presumed and must be affirmatively proved as a matter of fact as held in ITC
Ltd. (supra) and the Plaintiff has failed to prima facie establish that the
Defendants sought to “ride on the coat-tails” of the Plaintiff’s Mark. It was
further contended on behalf of the Defendants that the concept of unfair
advantage resulting from the use of a registered trade mark requires the
Plaintiff to demonstrate that there has been dilution or blurring or whittling
away of the Plaintiff’s Mark in the consumer’s mind, which is likely to result
in the weakening of the Plaintiff’s Mark. It was further submitted by the
Defendants that mere ‘economic advantage’is not sufficient to hold that there
has been an ‘unfair advantage’.
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41. To consider the submissions made by the Parties, it is necessary to
determine whether the use of the Plaintiff’s Mark in the Impugned Film
confers an ‘unfair advantage’ upon the Defendants. For such determination,
it is required to assess potential harm caused to the Plaintiff’s Mark from the
perspective of the average consumer. As established in Comic Enterprises
(supra), evidence of a change in the economic behavior of an average
consumer is necessary to demonstrate ‘undue advantage’. Additionally, as
affirmed in Bloomberg (supra), it must be shown that the distinctive attraction
of the well-known trade mark has diminished among consumers. Notably,
even the likelihood of a change in consumer economic behavior may suffice
to establish ‘unfair advantage’.
42. In this case, the Plaintiff contends that the depiction of the Impugned
Scenes clearly indicates that the use of the Plaintiff’s Mark was intentional
rather than accidental and as a result, the Plaintiff’s Mark is likely to be
perceived by members of the public as being associated with crime and prison
escapes following their viewing of the Impugned Film. This negative
perception is said to have resulted in the alleged disparagement of the
Plaintiff’s Mark, as well as the tarnishing of the Plaintiff’s reputation and
goodwill within the community, particularly in the minds of potential donors
of the Plaintiff.
43. The Plaintiff asserted that the negative association has adversely
affected donors’ willingness to support its cause. The Plaintiff contended that
the Defendants obtained an undue advantage by deliberately incorporating the
Plaintiff’s Mark in the Impugned Scenes, thereby implying that its use
authorizes impersonation and facilitates unlawful immigration and this
unauthorized use of the Plaintiff’s Mark to cross international borders has
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resulted in reputational harm and diminished value of the Plaintiff’s Mark.
Additionally, the Plaintiff submits that its standing as an independent and
impartial humanitarian organization, particularly in politically sensitive and
conflict-affected regions, has been undermined among both current and
potential donors.
44. Although the Plaintiff has asserted that the use of the Plaintiff’s Mark
in the Impugned Film may influence prospective donors not to support the
Plaintiff’s efforts, it has not provided any evidence demonstrating any impact
on the Plaintiff’s activities. At this prima facie stage, it is incumbent upon the
Plaintiff to demonstrate that the use of the Plaintiff’s Mark in the Impugned
Film would directly and negatively impact the Plaintiff to cause unfair
advantage to the Defendants. The Impugned Scenes depict the Plaintiff’s
Mark being used by the protagonist to cross an International Border via sea.
According to the Plaintiff, this portrayal by the Defendants has purportedly
caused harm by diminishing the likelihood of donations to the Plaintiff.
However, the same is not sufficient to determine the ‘unfair advantage’ to the
Defendants.
45. While the inclusion of the Plaintiff’s Mark is essential to the narrative
of the Impugned Film, as its absence could have impeded the completion of
the story, such usage does not diminish, alter, or supplant the public
perception of the Plaintiff’s Mark with that of the Defendants' services.
Consequently, it cannot be asserted that the Defendants have gained any
economic advantage through unjust association with the Plaintiff’s Mark or
by leveraging its reputation for their own benefit.
46. Moreover, economic benefit alone does not suffice to establish an
unfair advantage. The Plaintiff must demonstrate a probable risk of harm or
CS(COMM) 1134/2024 Page 39 of 43
Signature Not Verified
Signed By:NEELAM
SHARMA
Signing Date:02.05.2026
18:47:48
damage to the Plaintiff’s Mark among consumers. Additionally, it is
necessary to show that such unfair advantage leads to a change in the
economic behaviour of the average consumer of the Plaintiff’s services, or at
least a likelihood of such a change. In this instance, the Plaintiff has not
provided any evidence of alteration in the perceptions or actions of donors
resulting from the use of the Plaintiff’s Mark in the Impugned Film. The
submissions of the Plaintiff are speculative in nature.
47. Since the Impugned Film has received certification from the CBFC for
public exhibition, it is presumed that the requirements stipulated under the
Cinematograph Act, 1952 have been satisfied. The Plaintiff has not provided
evidence to show that the use of the Plaintiff’s Mark in the Impugned Film
has misled viewers into believing that the Plaintiff endorses the film. The
Mark appears in the Impugned Film solely through fictional characters and,
at first glance, does not suggest that the Plaintiff engages in illegal activities.
Although the Defendants have benefitted from the use of the Plaintiff’s Mark,
this cannot be categorised as an ‘unfair advantage’, as there is no indication
that the Defendants intended to harm the Plaintiff or dilute the distinctiveness
of the Plaintiff’s Mark.
48. The use of a Trade Mark may confer an unfair advantage on the user
when it is employed with the intent to derive economic benefit by capitalising
on the goodwill associated with the mark, which can further lead to its dilution
and disparagement in the perception of the general public. In the present case,
the Impugned Film has not utilised the Plaintiff’s Mark in any manner that
suggests endorsement, affiliation, or involvement by the Plaintiff.
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Signature Not Verified
Signed By:NEELAM
SHARMA
Signing Date:02.05.2026
18:47:48
49. Accordingly, at this prima facie stage, the Plaintiff has not established
that the Defendants derived any unfair advantage from the use of the
Plaintiff’s Mark in the Impugned Film.
Detrimental to the Distinctive Character or Reputation:
50. The Plaintiff has submitted that the Impugned Film shows that the
protagonist uses the Plaintiff’s Mark to cross the international borders.
According to the Plaintiff, the use of the Plaintiff’s Mark in the Impugned
Film creates a negative impact on the Plaintiff’s Mark and is detrimental to
the reputation of the Plaintiff’s Mark by reducing the value of the Plaintiff’s
Mark in the eyes of the public. The Plaintiff has contended that the Plaintiff’s
Mark has been used in a manner that would under-value, derogate and bring
discredit to the Plaintiff’s Mark.
51. The Defendants have submitted that there has been no damage to the
distinctive character of the Plaintiff’s Mark. Further, the use of the Plaintiff’s
Mark in the Impugned Film does not suggest that the Plaintiff’s Mark has
been mocked or belittled. The viewer of the Impugned Film would not be left
with an impression that the Plaintiff is associated with any illegal activities
that tarnishes the distinctive character or image of the Plaintiff’s Mark.
52. Upon careful consideration of the submissions by both Parties, it is
evident that the Defendants have used the Plaintiff's Mark in the Impugned
Film without authorization. The manner of use aligns directly with how the
Plaintiff employs the Mark for its services. As a distinctive source identifier,
the Plaintiff’s Mark allows the public to recognize the Plaintiff’s services.
Under Section 29(4)(c) of the Act, an infringement occurs if the use of a
registered trade mark negatively impacts its distinctive character or
reputation. Although the Impugned Film does not overtly reference the
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Signature Not Verified
Signed By:NEELAM
SHARMA
Signing Date:02.05.2026
18:47:48
reputation or qualities of the Plaintiff’s Mark, the Impugned Scenes depict its
use as facilitating the illegal crossing of international borders. This usage is
neither incidental nor accidental and demonstrates a clear association with the
repute of the Plaintiff’s Mark.
53. Evidently, the Plaintiff holds an excellent reputation as an international
organisation, with public authorities placing significant trust in the Plaintiff’s
Mark. The Defendants selected the Plaintiff’s Mark due to its established
reputation, to lend credence to the Impugned Film, else a fictitious name could
also have been used. The Impugned Scenes utilise the Plaintiff’s Mark to
depict the ease of crossing international borders without the need for a visa.
Thus, the Plaintiff’s Mark was chosen solely on account of its repute.
Consequently, the use of the Impugned Mark in the Impugned Film adversely
affects the distinctive character and reputation of the Plaintiff’s Mark.
CONCLUSION:
54. In view of the above analysis, the Plaintiff has not been able to
demonstrate that the Defendants obtained any unfair advantage by using the
Plaintiff’s Mark in the Impugned Film. Nevertheless, considering the
Plaintiff’s reputation in India and the manner of using the Plaintiff’s Mark,
such use is likely to adversely affect the distinctive character and reputation
of the Plaintiff’s Mark. As the Plaintiff has not established a prima facie case
of the Defendants exploiting the Plaintiff’s Mark for unfair advantage in the
Impugned Film, it is expedient in the interest of justice and to balance the
convenience between the Parties, to restrict the detriment to the distinctive
character and reputation of the Plaintiff’s Mark to avoid irreparable loss to the
Plaintiff during the pendency of this Suit by directing the Defendants to
display an appropriate Acknowledgement at the commencement of the
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Signature Not Verified
Signed By:NEELAM
SHARMA
Signing Date:02.05.2026
18:47:48
Impugned Film. This Acknowledgement should appropriately mention that
the use of the Plaintiff’s Mark in the Impugned Film is not intended to cause
any harm or detriment to its distinctive character and reputation of the
Plaintiff’s Mark in any way.
55. Accordingly, the Plaintiff is not entitled to the interim injunction
restraining the Defendants from using the Plaintiff’s Mark in the Impugned
Film, however, the Defendants shall display the Acknowledgment at the start
of the Impugned Film as directed above within a period of four weeks from
the date.
56. The present Application is disposed of with the aforesaid direction.
TEJAS KARIA, J
APRIL 30, 2026
st/gsr
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Signature Not Verified
Signed By:NEELAM
SHARMA
Signing Date:02.05.2026
18:47:48